| Number |
Cover |
TextBook for Entertainment Industry |
Author |
Edition |
| 0 |
|
Adobe Premiere Pro Classroom in a Book 2024 Release [1 ed.] |
Maxim Jago |
1 |
| 1 |
|
Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? |
Philip Gefter |
|
| 2 |
|
The Filmmaker's Book of the Dead: How to Make Your Own Heart-Racing Horror Movie |
Danny Draven |
|
| 3 |
|
Every Night the Trees Disappear: Werner Herzog and the Making of Heart of Glass |
Alan Greenberg, Werner Herzog |
|
| 4 |
|
White Hunter, Black Heart |
Peter Viertel |
|
| 5 |
|
Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock |
Christina Lane |
|
| 6 |
|
The Evolution and Social Impact of Video Game Economics |
Casey B. Hart |
|
| 7 |
|
My Adventures with Satyajit Ray: The Making of Shatranj Ke Khilari |
Suresh Jindal |
|
| 8 |
|
My Years With Apu |
Satyajit Ray |
|
| 9 |
|
Portrait of a Director: Satyajit Ray |
Marie Seton |
|
| 10 |
|
Satyajit Ray: Interviews |
Bert Cardullo |
|
| 11 |
|
Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker |
Andrew Robinson |
|
| 12 |
|
Satyajit Ray's Ravi Shankar |
Satyajit Ray, Sandip Ray (editor) |
|
| 13 |
|
The Apu Trilogy: Satyajit Ray and the Making of an Epic |
Andrew Robinson (editor) |
|
| 14 |
|
Becoming Film Literate: The Art and Craft of Motion Pictures |
Vincent A. LoBrutto |
|
| 15 |
|
Principal Photography: Interviews with Feature Film Cinematographers |
Vincent LoBrutto |
|
| 16 |
|
Selected Takes: Film Editors on Editing |
Vincent LoBrutto |
|
| 17 |
|
Sound-On-Film: Interviews with Creators of Film Sound |
Vincent LoBrutto |
|
| 18 |
|
Stanley Kubrick: A Narrative and Stylistic Analysis |
Mario Falsetto |
|
| 19 |
|
The Art of Nonfiction Movie Making |
Jeffrey Friedman, Rob Epstein, Sharon Wood |
|
| 20 |
|
Directors' diaries: the road to their first film |
Bakshi, Rakesh Anand |
|
| 21 |
|
The Making of The Wandering Earth: A Film Production Handbook |
Jiaren Wang, Regina Kanyu Wang |
|
| 22 |
|
Your Child's Career in Music and Entertainment: The Prudent Parent's Guide from Start to Stardom |
Steven C. Beer |
|
| 23 |
|
The Coffee Break Screenwriter: Writing Your Script Ten Minutes at a Time |
Pilar Alessandra |
|
| 24 |
|
Mapping Taiwanese Cinema, 2008-20: Environments, Poetics, Practice [1 ed.] |
Christopher Brown |
1 |
| 25 |
|
Tracking Loach: Politics ǀ Practices ǀ Production |
David Archibald |
|
| 26 |
|
Australian International Pictures (1946–75) [1 ed.] |
Adrian Danks, Constantine Verevis |
1 |
| 27 |
|
Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags [1 ed.] |
Josephine Botting |
1 |
| 28 |
|
Hammer Goes to Hell: The House of Horror’s Unmade Films [1 ed.] |
Kieran Foster |
1 |
| 29 |
|
The Films of Antoinetta Angelidi |
Penny Bouska (editor), Sotiris Petridis (editor) |
|
| 30 |
|
Finnish Film Studios |
Kimmo Laine |
|
| 31 |
|
Produced by Irving Thalberg: Theory of Studio-Era Filmmaking |
Ana Salzberg |
|
| 32 |
|
From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition |
Sarah Atkinson |
|
| 33 |
|
Small-Gauge Storytelling: Discovering the Amateur Fiction Film [1 ed.] |
Ryan Shand, Ian Craven |
1 |
| 34 |
|
Breaking the Fourth Wall: Direct Address in the Cinema [1 ed.] |
Tom Brown |
1 |
| 35 |
|
African Filmmaking: North and South of the Sahara |
Roy Armes |
|
| 36 |
|
Maya Python for Games and Film. A Complete Reference for Maya Python and the Maya Python API |
Adam Mechtley and Ryan Trowbridge (Auth.) |
|
| 37 |
|
Visual Effects in A Digital World: A Comprehensive Glossary of over 7000 Visual Effects Terms [1st ed.] |
Karen Goulekas |
1 |
| 38 |
|
Image Processing for Cinema [1 ed.] |
Marcelo Bertalmío |
1 |
| 39 |
|
Creative Hustling: Women Making and Distributing Films from Nairobi |
Robin Steedman |
|
| 40 |
|
Exile Cinema: Filmmakers at Work Beyond Hollywood |
Michael Atkinson |
|
| 41 |
|
Cinematography: Theory and Practice: Image Making for Cinematographers and Directors |
Blain Brown |
|
| 42 |
|
The Machinima Reader |
Henry Lowood and Michael Nitsche (Editors) |
|
| 43 |
|
3D Video. From Capture to Diffusion |
Laurent Lucas, Céline Loscos, Yannick Rémion |
|
| 44 |
|
3DTV. Processing and Transmission of 3D Video Signals |
Anil Fernando,Stewart T. Worrall,Erhan Ekmekcio&,eth,lu |
|
| 45 |
|
SCREENWRITING FOR DUMMIES. [3 ed.] |
LAURA SCHELLHARDT |
3 |
| 46 |
|
Digital SLR Video and Filmmaking For Dummies |
Carucci, John |
|
| 47 |
|
Filmmaking for Dummies [3 ed.] |
Bryan Michael Stoller |
3 |
| 48 |
|
El cine en vivo y sus técnicas |
Coppola, Francis Ford |
|
| 49 |
|
The Filmmaker's Guide to Final Cut Pro Workflow |
Dale Angell |
|
| 50 |
|
Screenwriting is Rewriting: The Art and Craft of Professional Revision |
Epps Jr., Jack |
|
| 51 |
|
El cine según Hitchcock |
François Truffaut |
|
| 52 |
|
La creación de la Trilogía Original |
Francisco Javier Martínez García |
|
| 53 |
|
Aquí Kubrick |
Frederic Raphael |
|
| 54 |
|
Godfather: The Intimate Francis Ford Coppola |
Gene D. Phillips |
|
| 55 |
|
Edgar G. Ulmer: A Filmmaker at the Margins |
Isenberg, Noah |
|
| 56 |
|
Writing the Photoplay |
J. Berg Esenwein &, Arthur Leeds |
|
| 57 |
|
How to Make Movies: Low-Budget / No-Budget Indie Experts Tell All |
Lindenmuth, Kevin J. |
|
| 58 |
|
Rebel without a crew, or, How a 23-year-old filmmaker with $7,000 became a Hollywood player |
Robert Rodriguez |
|
| 59 |
|
A Night at the Opera |
Sir Denis Forman [Forman, Sir Denis] |
|
| 60 |
|
Caught in the web: dreaming up the world of Spider-Man 2 |
Vaz, Mark Cotta |
|
| 61 |
|
Memorias by Riefenstahl, Leni |
Riefenstahl, Leni |
|
| 62 |
|
Work in progress |
Michael Eisner, with Tony Schwartz |
|
| 63 |
|
Sweet revenge: the intimate life of Simon Cowell |
Cowell, Simon,Bower, Tom |
|
| 64 |
|
Estructura y gestión de empresas audiovisuales (comunicación) |
Medina Laverón, Mercedes |
|
| 65 |
|
Fundamentos de producción y gestión de proyectos audiovisuales (Comunicación) |
Pardo, Alejandro |
|
| 66 |
|
Producción ejecutiva de proyectos cinematográficos (Comunicación) |
Pardo, Alejandro |
|
| 67 |
|
Quiero hacer un documental |
Segarra, Manuel Gómez |
|
| 68 |
|
La creación audiovisual en la infancia: De espectadores a productores |
Augustowsky, Gabriela |
|
| 69 |
|
Cinematic Game Secrets for Creative Directors and Producers: Inspired Techniques From Industry Legends [1st ed.] |
Rich Newman |
1 |
| 70 |
|
Netflix |
Willy C. Shih, Stephen P. Kaufman and David Spinola |
|
| 71 |
|
Peter Jackson: A Film-maker's Journey |
Sibley, Brian |
|
| 72 |
|
Media Heterotopias: Digital Effects and Material Labor in Global Film Production |
Hye Jean Chung |
|
| 73 |
|
Basic Animation Stand Techniques [1st ed.] |
Brian G. D. Salt (Auth.) |
1 |
| 74 |
|
Film Production Management [3rd ed] |
Bastian Cleve |
3 |
| 75 |
|
Produce Your Own Damn Movie! |
Collins, Ashley Wren,Kaufman, Lloyd |
|
| 76 |
|
Sell Your Own Damn Movie! |
Antill, Sara,Kaufman, Lloyd |
|
| 77 |
|
The Filmmaker's Eye [1st edition] |
Mercado, Gustavo |
1 |
| 78 |
|
The visual effects producer: understanding the art and business of VFX |
Charles Finance, Susan Zwerman |
|
| 79 |
|
Every Man for Himself and God Against All : A Memoir |
Werner Herzog, Michael Hofmann |
|
| 80 |
|
How I Made a Hundred Movies in Hollywood and Never Lost a Dime |
Roger Corman |
|
| 81 |
|
Mi último suspiro |
Luis Buñuel |
|
| 82 |
|
So you want to be a producer [1st ed] |
Turman, Lawrence |
1 |
| 83 |
|
The Total Film Maker [1st Edition] |
Jerry Lewis |
1 |
| 84 |
|
Extreme DV at Used-Car Prices: How to Write, Direct, Shoot, Edit, and Produce a Digital Video Feature for Less Than $3,000 |
Rick Schmidt |
|
| 85 |
|
John Huston's filmmaking |
Lesley Brill |
|
| 86 |
|
John Huston’s Filmmaking |
Lesley Brill |
|
| 87 |
|
Independent Ed : inside a career of big dreams, little movies, and the twelve best days of my life |
Burns, Edward, Gold, Todd |
|
| 88 |
|
The Ironic Filmmaking of Stephen Frears |
Lesley Brill |
|
| 89 |
|
The passion of Ingmar Bergman |
Frank Gado |
|
| 90 |
|
Working Musicians: Labor and Creativity in Film and Television Production |
Timothy D. Taylor |
|
| 91 |
|
Filmer et photographier avec un drone (Serial makers) |
De Keyser, Éric |
|
| 92 |
|
The Filmmaker's Handbook: a Comprehensive Guide for the Digital Age [Fifth edition] |
Ascher, Steven,Pincus, Edward |
|
| 93 |
|
The Mind of the Modern Moviemaker |
Horowitz, Joshua |
|
| 94 |
|
Entretiens avec Peter Bogdanovich - T 2 |
Bogdanovich, Peter |
|
| 95 |
|
Mes monstres |
Risi, Dino |
|
| 96 |
|
On directing film |
Mamet, David |
|
| 97 |
|
Introduction to Documentary [3 ed.] |
Bill Nichols |
3 |
| 98 |
|
DV filmmaking : from start to finish [1st ed] |
Ian David Aronson |
1 |
| 99 |
|
Digital Video Hacks: Tips & Tools for Shooting, Editing, and Sharing |
Joshua Paul |
|
| 100 |
|
Tim Burton's Nightmare Before Christmas: The Film - The Art - The Vision (Disney Editions Deluxe (Film)) [1 ed.] |
Frank Thompson |
1 |
| 101 |
|
The Big Picture: Filmmaking Lessons from a Life on the Set |
Tom Reilly |
|
| 102 |
|
Coming Attractions?: Hollywood, High Tech, and the Future of Entertainment |
Philip E. Meza |
|
| 103 |
|
Producing Independent 2D Character Animation: Making & Selling A Short Film (Visual Effects and Animation Series) (Focal Press Visual Effects and Animation) |
Mark Simon |
|
| 104 |
|
Becoming a Film Producer |
Boris Kachka |
|
| 105 |
|
Waterloo - Making an Epic: The Spectacular Behind-The-Scenes Story of a Movie Colossus |
Simon Lewis |
|
| 106 |
|
Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image |
John J. Murphy |
|
| 107 |
|
The Third Act: Writing a Great Ending to Your Screenplay [3 ed.] |
Yanno, Drew |
3 |
| 108 |
|
Shadow Cinema: The Historical and Production Contexts of Unmade Films |
James Fenwick, Kieran Foster, David Eldridge (editors) |
|
| 109 |
|
Screenwriting: the sequence approach |
Gulino, Paul Joseph |
|
| 110 |
|
The Transformative Cinema of Alejandro Jodorowsky |
George Melnyk |
|
| 111 |
|
Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and Television |
Jed Dannenbaum, Doe Mayer |
|
| 112 |
|
Understanding Machinima: Essays on Filmmaking in Virtual Worlds |
Jenna Ng |
|
| 113 |
|
Film lighting: talks with Hollywood's cinematographers and gaffers [2nd ed] |
Malkiewicz, J. Kris |
2 |
| 114 |
|
Writing the Horror Movie [Annotated] |
Marc Blake, Sara Bailey |
|
| 115 |
|
Write What You Don't Know: An Accessible Manual for Screenwriters |
Julian Hoxter |
|
| 116 |
|
Werner Herzog: Filmmaker and Philosopher |
Richard Eldridge |
|
| 117 |
|
Being There and the Evolution of a Screenplay: 3 Draft Scripts with Commentary |
Aaron Hunter |
|
| 118 |
|
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics |
Carol Vernallis, Holly Rogers, Lisa Perrott |
|
| 119 |
|
Film Editing: Emotion, Performance and Story |
Julie Lambden |
|
| 120 |
|
As You Wish: Inconceivable Tales from the Making of The Princess Bride |
Elwes, Cary,Layden, Joe |
|
| 121 |
|
Art History for Filmmakers: The Art of Visual Storytelling [Reprint ed.] |
Gillian McIver |
|
| 122 |
|
Latin American Women Filmmakers: Production, Politics, Poetics |
Deborah Martin, Julian Ross, Deborah Shaw, Lúcia Nagib |
|
| 123 |
|
SceneWriting: The Missing Manual for Screenwriters |
Chris Perry, Eric Henry Sanders |
|
| 124 |
|
The Psychology of Screenwriting: Theory and practice |
Jason Lee |
|
| 125 |
|
Design in Motion: Applying design principles to filmmaking |
Penny Hilton |
|
| 126 |
|
Beyond the Bottom Line: The Producer in Film and Television Studies |
Andrew Spicer, A.T. McKenna, Christopher Meir (editors) |
|
| 127 |
|
Dramatic Effects with a Movie Camera |
Gail Segal, Sheril Antonio |
|
| 128 |
|
Smartphone Filmmaking: Theory and Practice |
Max Schleser |
|
| 129 |
|
Live Fast, Die Young: The Wild Ride of Making Rebel Without a Cause |
Lawrence Frascella, Al Weisel |
|
| 130 |
|
Post Sound Design: The Art and Craft of Audio Post Production for The Moving Image |
John Avarese |
|
| 131 |
|
Video Demystified, 3rd Edition [3rd ed.] |
Keith Jack |
3 |
| 132 |
|
The Art of the Storyboard, : A filmmaker's introduction [2 ed.] |
John Hart |
2 |
| 133 |
|
Directing the Documentary [4th ed.] |
Michael Rabiger |
4 |
| 134 |
|
Practical DV Filmmaking [2 ed.] |
Evans R. |
2 |
| 135 |
|
Direct Your Own Damn Movie! |
Lloyd Kaufman, Sara Antill, Kurly Tlapoyawa |
|
| 136 |
|
Making a Scene in Documentary Film: Iconic Filmmakers Discuss What Works and Why |
Maxine Trump |
|
| 137 |
|
Investing in movies: strategies for producers and investors |
Cohen, Joseph N |
|
| 138 |
|
Single-Camera Video Production, Fourth Edition (Media Manuals) [4 ed.] |
Robert B. Musburger PhD |
4 |
| 139 |
|
Production Pipeline Fundamentals for Film and Games |
Dunlop, Renee |
|
| 140 |
|
Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know |
Gregory Bernstein |
|
| 141 |
|
Documentary Storytelling, Second Edition: Making Stronger and More Dramatic Nonfiction Films [2 ed.] |
Sheila Curran Bernard |
2 |
| 142 |
|
Creating Special Effects for TV and Film 1977 [Not Indicat ed.] |
Bernard Wilkie |
|
| 143 |
|
Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies and More!, Third Edition [1 ed.] |
Dan Selakovich |
1 |
| 144 |
|
The Green screen handbook: real-world production techniques [2a ed.] |
Foster, Jeff |
2 |
| 145 |
|
Cinemas of the Other: A Personal Journey with Film-Makers from Central Asia [2 ed.] |
Gonul Domez–Colin |
2 |
| 146 |
|
Beyond Continuity: Script Supervision for the Modern Filmmaker [2 ed.] |
Mary Cybulski |
2 |
| 147 |
|
The Producer's Business Handbook, Third Edition: The Roadmap for the Balanced Film Producer [3rd ed.] |
John J. Lee Jr., Anne Marie Gillen |
3 |
| 148 |
|
The visual story : creating the structure of film, television, and visual media [2 ed.] |
Bruce A Block |
2 |
| 149 |
|
Shooting movies without shooting yourself in the foot : becoming a cinematographer |
Jack Anderson |
|
| 150 |
|
The Filmmaker's Guide to Visual Effects: The Art and Techniques of VFX for Directors, Producers, Editors and Cinematographers [2 ed.] |
Eran Dinur |
2 |
| 151 |
|
Pre-production planning for video, film, and multimedia, Volume 1 [1 ed.] |
Steve R. Cartwright |
1 |
| 152 |
|
Grammar of the Shot, [2 ed.] |
Roy Thompson, Christopher J. Bowen |
2 |
| 153 |
|
Script Supervising and Film Continuity, Third Edition [3 ed.] |
Pat P Miller |
3 |
| 154 |
|
The Videomaker guide to digital video and DVD production [2nd ed.] |
Videomaker |
2 |
| 155 |
|
The camera assistant's manual [4th ed.] |
David E Elkins |
4 |
| 156 |
|
Motion Picture and Video Lighting, [2 ed.] |
Blain Brown |
2 |
| 157 |
|
Beginning VFX with Autodesk Maya: Create Industry-Standard Visual Effects from Scratch [1 ed.] |
Abhishek Kumar |
1 |
| 158 |
|
Grammar of the Edit [5 ed.] |
Christopher J. Bowen |
5 |
| 159 |
|
Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers [1 ed.] |
Blain Brown |
1 |
| 160 |
|
Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry |
Eve Light Honthaner |
|
| 161 |
|
The Filmmaker's Guide to Creatively Embracing Limitations: Not Getting What You Want Leading to Creating What You Need |
William Pace, Ingrid Stobbe |
|
| 162 |
|
The Wedding Video Handbook: How to Succeed in the Wedding Video Business [Pap/DVD ed.] |
Kirk Barber |
|
| 163 |
|
The Grip Book [4 ed.] |
Michael Uva |
4 |
| 164 |
|
Cinematography: Theory and Practice, Second Edition: Image Making for Cinematographers and Directors [2nd ed.] |
Blain Brown |
2 |
| 165 |
|
The Complete Film Production Handbook [4 ed.] |
Eve Light Honthaner |
4 |
| 166 |
|
Location Audio Simplified: Capturing Your Audio... and Your Audience [1 ed.] |
Dean Miles |
1 |
| 167 |
|
Final Cut Pro Workflows: The Independent Studio Handbook |
Jason Osder, Robbie Carman |
|
| 168 |
|
Lighting for Animation: The Art of Visual Storytelling |
Jasmine Katatikarn, Michael Tanzillo |
|
| 169 |
|
3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy [1st ed.] |
Bernard Mendiburu |
1 |
| 170 |
|
Animation Writing and Development, : From Script Development to Pitch (Focal Press Visual Effects and Animation) [First Edition] |
Jean Ann Wright |
|
| 171 |
|
Rotoscoping: Techniques and Tools for the Aspiring Artist [Pap/Cdr ed.] |
Benjamin Bratt |
|
| 172 |
|
Prepare to board!: creating story and characters for animated features and shorts [Second edition] |
Beiman, Nancy |
|
| 173 |
|
3D storytelling: how stereoscopic 3D works and how to use it |
McNally, Philip,Block, Bruce A |
|
| 174 |
|
Better Location Shooting: Techniques for Video Production |
Paul Martingell |
|
| 175 |
|
The Art Direction Handbook for Film |
Michael Rizzo |
|
| 176 |
|
Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling [1 ed.] |
David Bordwell |
1 |
| 177 |
|
Digital Compositing for Film and Video, Third Edition [3 ed.] |
Steve Wright |
3 |
| 178 |
|
Professional Web Video: Plan, Produce, Distribute, Promote and Monetize Quality Video [1 ed.] |
Richard Harrington, Mark Weiser |
1 |
| 179 |
|
Minding movies: observations on the art, craft, and business of filmmaking |
Bordwell, David,Thompson, Kristin |
|
| 180 |
|
Experimental Filmmaking and the Motion Picture Camera; An Introductory Guide for Artists and Filmmakers |
Joel Schlemowitz |
|
| 181 |
|
The Camera Assistant's Manual, Fourth Edition [4 ed.] |
David E. Elkins s.o.c. |
4 |
| 182 |
|
The Visual Effects Arsenal: VFX Solutions for the Independent Filmmaker [Pap/Cdr ed.] |
Bill Byrne |
|
| 183 |
|
IFP/Los Angeles Independent Filmmaker's Manual, Second Edition [2 ed.] |
Eden H. Wurmfeld, Nicole Laloggia |
2 |
| 184 |
|
Focal Easy Guide to After Effects: For new users and professionals |
Curtis Sponsler |
|
| 185 |
|
The Assistant Lighting Designer's Toolkit [2 ed.] |
Anne E. McMills |
2 |
| 186 |
|
The VES handbook of visual effects: industry standard VFX practices and procedures |
Okun, Jeffrey A.,Rafferty, Kevin,Squires, Scott,Zwerman, Susan |
|
| 187 |
|
Directing And Producing For Television: A Format Approach |
Ivan Cury |
|
| 188 |
|
Foundation Flash CS3 Video [1 ed.] |
Adam Thomas, Tom Green |
1 |
| 189 |
|
How To Make Animated Films |
White T. |
|
| 190 |
|
Directing. Film techniques and aesthetics. 5th, rev. ed [5th edition] |
Rabiger |
5 |
| 191 |
|
The Camera Assistants Manual [5Th Edition] |
David E. Elkins,S.O.C. |
5 |
| 192 |
|
Alternative Scriptwriting: Rewriting the Hollywood Formula [4 ed.] |
Ken Dancyger, Jeff Rush |
4 |
| 193 |
|
Directing the Documentary [6th edition] |
Rabiger, Michael |
6 |
| 194 |
|
The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition [2 ed.] |
Gustavo Mercado |
2 |
| 195 |
|
The VES Handbook of Visual Effects: Industry Standard VFX Practices and Procedures |
Jeffrey A. Okun, Susan Zwerman |
|
| 196 |
|
Producing great sound for film and video: expert tips from preproduction to final mix [4th edition] |
Rose, Jay |
4 |
| 197 |
|
Sound for Moving Pictures: The Four Sound Areas [1 ed.] |
Neil Hillman |
1 |
| 198 |
|
Filming the Fantastic: A Guide to Visual Effects Cinematography, Second Edition [2 ed.] |
Mark Sawicki |
2 |
| 199 |
|
The Filmmaker's Guide to Digital Imaging: for Cinematographers, Digital Imaging Technicians, and Camera Assistants [1 ed.] |
Blain Brown |
1 |
| 200 |
|
Audio Postproduction for Film and Video (Sublinhado) [2 ed.] |
Jay Rose |
2 |
| 201 |
|
Mastering MultiCamera Techniques: From Preproduction to Editing and Deliverables [1 Pap/Cdr ed.] |
Mitch Jacobson |
1 |
| 202 |
|
Making 'Toons That Sell Without Selling Out: the Bill Plympton Guide to Independent Animation Success [1 ed.] |
Plympton, Bill |
1 |
| 203 |
|
Modern Post: Workflows and Techniques for Digital Filmmakers [1 ed.] |
Scott Arundale, Tashi Trieu |
1 |
| 204 |
|
Professional Storyboarding: Rules of Thumb [1 ed.] |
Sergio Paez, Anson Jew |
1 |
| 205 |
|
The Business of Film: A Practical Introduction [3 ed.] |
Stephen R. Greenwald, Paula Landry |
3 |
| 206 |
|
Digital cinematography: fundamentals, tools, techniques, and workflows |
Stump, David |
|
| 207 |
|
An Introduction to Film and TV Production From Concept to Market |
Joseph Richie, Karen Russell, Airielle J. Taylor, Tameka Winston |
|
| 208 |
|
The Visual Effects Producer: Understanding the Art and Business of VFX |
Charles Finance, Susan Zwerman |
|
| 209 |
|
Aesthetics of Film Production: A Hands-On Guide to Authorial Voice |
James B. Joyce |
|
| 210 |
|
Power Filmmaking Kit [Pap/DVD ed.] |
Jason Tomaric |
|
| 211 |
|
VFX Artistry: A Visual Tour of How the Studios Create Their Magic |
Spencer Drate, Judith Salavetz |
|
| 212 |
|
Film Directing Fundamentals: From Script to Screen [1 ed.] |
Nicholas T. Proferes |
1 |
| 213 |
|
Video Shooter, Second Edition: Storytelling with HD Cameras [2 ed.] |
Barry Braverman |
2 |
| 214 |
|
3D Movie Making Stereoscopic Digital Cinema from Script to Screen |
Bernard Mendiburu |
|
| 215 |
|
Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation [1 ed.] |
Francis Glebas |
1 |
| 216 |
|
Quick: Time for Filmmakers |
Richard K. Ferncase (Auth.) |
|
| 217 |
|
DIRECTING: FILM TECHNIQUES AND AESTHETICS [Fifth Edition] |
Michael Rabiger, Mick Hurbis-Cherrier |
|
| 218 |
|
The hair stylist handbook : techniques for film and television |
Yvette Rivas, Gretchen Davis |
|
| 219 |
|
Digital Compositing for Film and Video [1st ed.] |
Steve Wright |
1 |
| 220 |
|
Shooting Action Sports: The Ultimate Guide to Extreme Filmmaking |
Todd Grossman |
|
| 221 |
|
The technique of television production [11 ed.] |
Millerson, Gerald |
11 |
| 222 |
|
Beyond continuity: script supervision for the modern filmmaker |
Cybulski, Mary |
|
| 223 |
|
Sound for Film and Television, Second Edition |
Tomlinson Holman |
|
| 224 |
|
Vegas Pro 11 editing workshop |
Douglas Spotted Eagle |
|
| 225 |
|
Directors Tell the Story |
Belli, Mary Lou,Rooney, Bethany |
|
| 226 |
|
Make Your Movie: What You Need to Know About the Business and Politics of Filmmaking [1 ed.] |
Barbara Freedman Doyle |
1 |
| 227 |
|
The Camera Assistant's Manual [5 ed.] |
David E. Elkins SOC |
5 |
| 228 |
|
The Dos and Don'ts of Successful Filmmaking |
Patrick Winters |
|
| 229 |
|
Screenwriting for Micro-Budget Films: Tips, Tricks and Hacks for Reverse Engineering Your Screenplay |
David Greenberg |
|
| 230 |
|
The Steadicam® Operator's Handbook |
Jerry Holway, Laurie Hayball |
|
| 231 |
|
Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker [1 ed.] |
Dan Rahmel |
1 |
| 232 |
|
Directing: Film Techniques and Aesthetics [3 ed.] |
Michael Rabiger |
3 |
| 233 |
|
Production Safety for Film, Television and Video |
Robin Small |
|
| 234 |
|
Raindance Producers' Lab Lo-To-No Budget Filmmaking |
Elliot Grove |
|
| 235 |
|
Nuke 101: Professional Compositing and Visual Effects [1 ed.] |
Ron Ganbar |
1 |
| 236 |
|
The 12-Hour Film Expert |
Noah Charney, James Charney |
|
| 237 |
|
The documentary diaries: Working experiences of a non-fiction filmmaker |
Alan Rosenthal |
|
| 238 |
|
GoPro: Professional Guide to Filmmaking [covers the HERO4 and all GoPro cameras] [1 ed.] |
Schmidt, Bradford, Thompson, Brandon, Woodman, Nick |
1 |
| 239 |
|
Cinesonica: Sounding film and video |
Andy Birtwistle |
|
| 240 |
|
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro [1 ed.] |
Stockman, Steve |
1 |
| 241 |
|
Filmmaking for fieldwork: A practical handbook |
Andy Lawrence |
|
| 242 |
|
Avid Media Composer | First: Fundamentals of Video Editing (Avid Learning) |
Avid Technology |
|
| 243 |
|
The three amigos: The transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón |
Deborah Shaw |
|
| 244 |
|
The Hollywood Assistants Handbook: 86 Rules for Aspiring Power Players |
Peter Nowalk, Hillary Stamm |
|
| 245 |
|
Create Video with Media Composer |
Avid Technology |
|
| 246 |
|
In conversation with cinematographers |
David A. Ellis author of Conversations with Cinematographers |
|
| 247 |
|
Smartbomb: The Quest for Art, Entertainment, and Big Bucks in the Videogame Revolution |
Heather Chaplin, Aaron Ruby |
|
| 248 |
|
The Documentarian: The Way to a Successful and Creative Professional Life in the Documentary Business |
Roger Nygard |
|
| 249 |
|
Polly Platt: Hollywood Production Design and Creative Authorship |
Aaron Hunter |
|
| 250 |
|
The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks [1 ed.] |
Liz Greene, Danijela Kulezic-Wilson (eds.) |
1 |
| 251 |
|
The Palgrave Handbook of Script Development |
Stayci Taylor (editor), Craig Batty (editor) |
|
| 252 |
|
Film and Television Production in the Age of Climate Crisis: Towards a Greener Screen (Palgrave Studies in Media and Environmental Communication) |
Pietari Kääpä (editor), Hunter Vaughan (editor) |
|
| 253 |
|
The Palgrave Handbook of Screen Production |
Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan |
|
| 254 |
|
Child Labor in the British Victorian Entertainment Industry: 1875–1914 [1 ed.] |
Dyan Colclough (auth.) |
1 |
| 255 |
|
Hope Not Fear: Finding My Way from Refugee to Filmmaker to NHS Hospital Cleaner and Activist |
Hassan Akkad |
|
| 256 |
|
Screenwriting for Neurotics: A Beginner’s Guide to Writing a Feature-Length Screenplay from Start to Finish [1 ed.] |
Scott Winfield Sublett |
1 |
| 257 |
|
Documentary Filmmaking - A Contemporary Field Guide |
John Hewitt, Gustavo Vazquez |
|
| 258 |
|
Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine |
Tanya Shilina-Conte |
|
| 259 |
|
The Art of the Filmmaker: The Practical Aesthetics of the Screen |
Peter Markham |
|
| 260 |
|
American Showman: Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908-1935 [1St Edition] |
Ross Melnick |
1 |
| 261 |
|
Citizen Kane: a filmmaker's journey |
Lebo, Harlan |
|
| 262 |
|
Second Take: Australian Film-Makers Talk |
Raffaele Caputo, Geoff Burton |
|
| 263 |
|
The dynamic frame camera movement inclassical Hollywood |
Keating, Patrick |
|
| 264 |
|
The Dynamic Frame: Camera Movement in Classical Hollywood |
Patrick Keating |
|
| 265 |
|
The Out-of-Home Immersive Entertainment Frontier: Expanding Interactive Boundaries in Leisure Facilities [New edition] |
Williams, Kevin, Mr, Mascioni, Michael, Mr, &, Michael Mascioni |
|
| 266 |
|
Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution [1 ed.] |
Brian McKernan |
1 |
| 267 |
|
The Business of TV Production [1 ed.] |
Craig Collie |
1 |
| 268 |
|
AI Gold Rush: Create Videos in Seconds |
Insiders AI |
|
| 269 |
|
William Greaves: Filmmaking as Mission |
Scott MacDonald (editor), Jacqueline Najuma Stewart (editor) |
|
| 270 |
|
Nonfiction Sound and Story for Film and Video-A Practical Guide for Filmmakers and Digital Content Creators [1 ed.] |
Amy DeLouise (Author), Cheryl Ottenritter (Author) |
1 |
| 271 |
|
Comic-con and the business of pop culture : what the world's wildest trade show can tell us about the future of entertainment [1 ed.] |
Salkowitz, Rob |
1 |
| 272 |
|
On the Move for Love: Migrant Entertainers and the U.S. Military in South Korea |
Sealing Cheng |
|
| 273 |
|
Sex Work, Labour, and Empowerment: Lessons from the Informal Entertainment Sector in Nepal [1 ed.] |
Sutirtha Sahariah |
1 |
| 274 |
|
Ideas for the Animated Short with DVD: Finding and Building Stories [Pap/DVD ed.] |
Karen Sullivan, Gary Schumer, Kate Alexander |
|
| 275 |
|
When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man |
Jerry Weintraub |
|
| 276 |
|
Stories Make the World: Reflections on Storytelling and the Art of the Documentary |
Stephen Most |
|
| 277 |
|
Transcultural Screenwriting : Telling Stories for a Global World [1 ed.] |
Carmen Sofia Brenes, Patrick Cattrysse, Margaret McVeigh |
1 |
| 278 |
|
Dark Matter: Independent Filmmaking in the 21st Century |
Michael Winterbottom |
|
| 279 |
|
On Story: Screenwriters and Filmmakers on Their Iconic Films |
Austin Film Festival |
|
| 280 |
|
A Lot Can Happen in the Middle of Nowhere: The Untold Story of the Making of Fargo |
Todd Melby |
|
| 281 |
|
Anything You Can Imagine: Peter Jackson and the Making of Middle-earth |
Ian Nathan, Andy Serkis |
|
| 282 |
|
Story Pitch: The How To Guide For Using A Pitch To Create Your Story |
Scott King |
|
| 283 |
|
The Star Wars Album: The Incredible Behind-the-Scenes Story of the Most Extraordinary Motion Picture of Our Time [Official collector's ed] |
Diane Masters Watson (ed.) |
|
| 284 |
|
Story design: creating popular Hollywood movies [2nd ed] |
Stefanik, Richard Michaels |
2 |
| 285 |
|
Directors Tell the Story |
Belli, Mary Lou,Rooney, Bethany |
|
| 286 |
|
The Making of Star Wars: The Definitive Story Behind the Original Film [1St Edition] |
J.W. Rinzler, Peter Jackson |
1 |
| 287 |
|
What’s the Story? The Director Meets Their Screenplay [1 ed.] |
Peter Markham |
1 |
| 288 |
|
Film Production Technique: Creating the Accomplished Image [5 ed.] |
Bruce Mamer |
5 |
| 289 |
|
On Story—Screenwriters and Filmmakers on Their Iconic Films |
Austin Film Festival (editor), Barbara Morgan (editor), Maya Perez (editor), James Franco (editor) |
|
| 290 |
|
Adobe Story Starter: Develop professional scripts, ready for production |
Christopher Tilford |
|
| 291 |
|
Writing Screenplays That Sell: The Complete, Step-By-Step Guide for Writing and Selling to the Movies and TV, from Story Concept to Development Deal [Paperback ed.] |
Michael Hauge |
|
| 292 |
|
Working With a Contemporary Step Outline: The tool of choice for story development: Includes the full step outline for the film story: Bella |
David Baboulene |
|
| 293 |
|
On Story - Screenwriters and Their Craft |
Austin Film Festival (editor), Barbara Morgan (editor), Maya Perez (editor) |
|
| 294 |
|
Reel Black Talk: A Sourcebook of 50 American Filmmakers [First Edition] |
Linda Allen, Spencer Moon |
|
| 295 |
|
Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency |
James Andrew Miller |
|
| 296 |
|
Writing Screenplays That Sell: The Complete Guide to Turning Story Concepts into Movie and Television Deals [New Twentieth Anniversary Edition] |
Hauge, Michael |
|
| 297 |
|
Setting up your story cinematically : the 100 most powerful film conventions every filmmaker must know |
Van Sijll, Jennifer |
|
| 298 |
|
Funny!: Twenty-Five Years of Laughter from the Pixar Story Room |
Jason Katz, John Lasseter |
|
| 299 |
|
Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption |
James Aston |
|
| 300 |
|
Special Effects Technician |
Matt Mullins |
|
| 301 |
|
Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road |
Kyle Buchanan |
|
| 302 |
|
Caddyshack: The Making of a Hollywood Cinderella Story |
Chris Nashawaty |
|
| 303 |
|
Beyond the Hero's Journey: A Screenwriting Guide for When You've Got a Different Story to Tell |
Anthony Mullins |
|
| 304 |
|
Ink Spots: The Collected Writings of Brian McDonald on Story Structure, Filmmaking, and Craftsmanship |
McDonald, Brian |
|
| 305 |
|
When The Shooting Stops ... The Cutting Begins: A Film Editor's Story |
Rosenblum, Ralph,Karen, Robert |
|
| 306 |
|
Ink Spots: Collected Writings on Story Structure, Filmmaking and Craftsmanship |
Brian McDonald |
|
| 307 |
|
Story Maps: How to Write a GREAT Screenplay |
Daniel Calvisi |
|
| 308 |
|
Screenwriting for Storytellers : How to Take Your Story from Idea to Script |
SherLann D. Moore |
|
| 309 |
|
The visual story : creating the visual structure of film, TV, and digital media [Third ed.] |
Bruce Block |
|
| 310 |
|
Film school: the true story of a midwestern family man who went to the world's most famous film school, fell flat |
University of Southern California. School of Cinematic Arts,Boman, Steve |
|
| 311 |
|
Digital Moviemaking: All the Skills, Techniques and Moxie You'll Need to Turn Your Passion Into a Career (The Filmmaker's Guide to the 21st Century) [2nd ed.] |
Scott Billups |
2 |
| 312 |
|
Storyboarding Essentials: SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media) [1st ed] |
Rousseau, David Harland,Phillips, Benjamin Reid |
1 |
| 313 |
|
Instant Adobe Story Starter: Develop professional scripts, ready for production |
Tilford C. |
|
| 314 |
|
Bessere Videos drehen: Ein Leitfaden zu Recherche, Story, Aufnahme, Schnitt und Effekten |
Reinhard M. Nikschick |
|
| 315 |
|
Nonfiction Sound and Story for Film and Video: A Practical Guide for Filmmakers and Digital Content Creators |
Amy Delouise, Cheryl Ottenritter |
|
| 316 |
|
The Inner Game of Screenwriting: 20 Winning Story Forms |
Sandy Frank |
|
| 317 |
|
Our Own Image: A Story of a Maori Filmmaker |
Barry Barclay, Jeff Bear |
|
| 318 |
|
Filming with Attenborough: The Making of Cry Freedom |
Donald Woods |
|
| 319 |
|
Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker [Revised and Updated] |
Andrew Robinson |
|
| 320 |
|
Entertainment industry economics : a guide for financial analysis [8th ed] |
Harold L Vogel |
8 |
| 321 |
|
X Films: True Confessions of a Radical Filmmaker |
Alex Cox (editor) |
|
| 322 |
|
Latin American Women Filmmakers: Production, Politics, Poetics |
Deborah Martin, Deborah Shaw (editors) |
|
| 323 |
|
Towards a theory of montage |
Sergei Eisenstein |
|
| 324 |
|
Kira Muratova: The Filmmaker's Companion 4 (The Kinofiles Filmmaker's Companions) |
Jane Taubman |
|
| 325 |
|
Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent |
Ahmed Ghazal |
|
| 326 |
|
The Economics of Making a Movie |
Robin Johnson |
|
| 327 |
|
Kira Muratova |
Muratova, Kira,Taubman, Jane |
|
| 328 |
|
Alex Cox X films : true confessions of a radical filmmaker |
Cox, Alex, Cox, Alex |
|
| 329 |
|
Entertainment industry economics : a guide for financial analysis [Tenth ed.] |
Harold L. Vogel |
|
| 330 |
|
The Entertainment Industry: An Introduction (CABI Tourism Texts) [Illustrated] |
Stuart Moss (editor) |
|
| 331 |
|
Entertainment Industry Economics: A Guide for Financial Analysis [7 ed.] |
Harold L. Vogel |
7 |
| 332 |
|
Adobe Premiere pro bible |
Adele Droblas, Seth Greenberg |
|
| 333 |
|
The complete guide to standard script formats |
Cole, Hillis R,Haag, Judith H, Haag, Judith H |
|
| 334 |
|
Filmmaking for Dummies [2nd ed] |
Bryan Michael Stoller |
2 |
| 335 |
|
How to become a porn director : making amateur adult films |
Nick Ryder |
|
| 336 |
|
CGI filmmaking: the creation of Ghost warrior |
Timothy Albee |
|
| 337 |
|
Billy Wilder on Assignment |
Noah Isenberg |
|
| 338 |
|
101 Things I Learned in Film School |
Neil Landau, Matthew Frederick |
|
| 339 |
|
The VES Handbook of Visual Effects: Industry Standard VFX Practices and Procedures [3 ed.] |
Jeffrey A. Okun, Susan Zwerman |
3 |
| 340 |
|
Cinematic Storytelling: A Comprehensive Guide for Directors and Cinematographers |
Thomas Robotham |
|
| 341 |
|
Investing in movies : strategies for investors and producers [Second ed.] |
Joseph N. Cohen |
|
| 342 |
|
Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows [2 ed.] |
David Stump ASC |
2 |
| 343 |
|
Competing with idiots : Herman and Joe Mankiewicz, a dual portrait |
Nick Davis |
|
| 344 |
|
A A Complete Guide to Television, Field, and Digital Producing [1 ed.] |
Sally Ann Cruikshank, Christine C. Eschenfelder, Keonte Coleman |
1 |
| 345 |
|
The Visual Effects Guide to DaVinci Resolve 17 |
Damian Allen, Tony Gallardo, Dion Scoppettuolo |
|
| 346 |
|
Behind the Sound Cart |
Patrushkha Mierzwa |
|
| 347 |
|
Cinematography: Theory and Practice: For Cinematographers and Directors [4 ed.] |
Blain Brown |
4 |
| 348 |
|
How to Shoot a Feature Film for Under $10,000 (And Not Go to Jail) |
Bret Stern |
|
| 349 |
|
Guillermo del Toro Cabinet of Curiosities My Notebooks, Collections, and Other Obsessions |
Guillermo Del Toro, Marc Zicree |
|
| 350 |
|
The Making of Life of Pi: A Film, a Journey |
Jean-Christophe Castelli |
|
| 351 |
|
Binge Times: Inside Hollywood's Furious Billion-Dollar Battle to Take Down Netflix |
Dade Hayes, Dawn Chmielewski |
|
| 352 |
|
Binge Times: Inside Hollywood's Furious Billion-Dollar Battle to Take Down Netflix [1 ed.] |
Dade Hayes |
1 |
| 353 |
|
The Friedkin Connection: A Memoir |
William Friedkin |
|
| 354 |
|
Inside the Magic: The Making of Fantastic Beasts and Where to Find Them |
Ian Nathan |
|
| 355 |
|
Adobe Premiere Pro Classroom in a Book (2020 release) [1 ed.] |
Maxim Jago |
1 |
| 356 |
|
Brand Hollywood: Selling Entertainment in a Global Media Age [1 ed.] |
Paul Grainge |
1 |
| 357 |
|
Global Scriptwriting |
Ken Dancyger (Auth.) |
|
| 358 |
|
Directing the Documentary [7 ed.] |
Michael Rabiger |
7 |
| 359 |
|
Chasing the Light: Writing, Directing, and Surviving Platoon, Midnight Express, Scarface, Salvador, and the Movie Game |
Oliver Stone |
|
| 360 |
|
Understanding the business of media entertainment : the legal and business essentials all filmmakers should know [Second ed.] |
Gregory Bernstein |
|
| 361 |
|
A Filmmaker's Guide to Sound Design |
Peter Rea, Matthew Polis |
|
| 362 |
|
16mm and 8mm Filmmaking: An Essential Guide to Shooting on Celluloid [1° ed.] |
Jacob Dodd |
1 |
| 363 |
|
The Documentary Distribution Toolkit: How to Get Out, Get Seen, and Get an Audience [1 ed.] |
Rachel Gordon |
1 |
| 364 |
|
ADR and Post-Sync Dialogue: What It Is and How It's Done [1 ed.] |
R.J. Kizer |
1 |
| 365 |
|
Iranian National Cinema: The Interaction of Policy, Genre, Funding, and Reception |
Anne Démy-Geroe |
|
| 366 |
|
Film and Its Techniques [7th printing, Reprint 2020 ed.] |
Raymond Spottiswoode, Jean-Paul Ladoucer |
72020 |
| 367 |
|
Mobile Hollywood: Labor and the Geography of Production [1 ed.] |
Kevin Sanson |
1 |
| 368 |
|
Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos [Reprint 2019 ed.] |
Ilisa Barbash, Lucien Taylor, Sandra Murray, Chad Vaughan |
2019 |
| 369 |
|
Screenwriting for a Global Market: Selling Your Scripts from Hollywood to Hong Kong |
Andrew Horton |
|
| 370 |
|
Cinematic Independence: Constructing the Big Screen in Nigeria |
Noah Tsika |
|
| 371 |
|
To Pixar and Beyond: My Unlikely Journey with Steve Jobs to Make Entertainment History |
Lawrence Levy |
|
| 372 |
|
The Men Who Would Be King: An Almost Epic Tale of Moguls, Movies, and a Company Called DreamWorks [1St Edition] |
Nicole LaPorte |
1 |
| 373 |
|
Local Hollywood: Global Film Production and the Gold Coast |
Ben Goldsmith, Tom O'Regan, Susan Ward |
|
| 374 |
|
The Art of Film |
Terry Ackland-Snow, Wendy Laybourn |
|
| 375 |
|
The Art of Film: Working on James Bond, Aliens, Batman and More |
Terry Ackland-Snow |
|
| 376 |
|
Avatar The Way of Water The Visual Dictionary |
Joshua Izzo, Zachary Berger, Dylan Cole, Reymundo Perez, Ben Procter |
|
| 377 |
|
The Art of Avatar The Way of Water |
Tara Bennett |
|
| 378 |
|
The Five Essential Steps in Digital Video: a DV moviemaker's tricks of the trade [Pap/DVD ed.] |
Denise Ohio |
|
| 379 |
|
Directing: Film Techniques and Aesthetics [6 ed.] |
Michael Rabiger, Mick Hurbis-Cherrier |
6 |
| 380 |
|
Creating Animated Cartoons with Character: A Guide to Developing and Producing Your Own Series for TV, the Web, and Short Film |
Joe Murray |
|
| 381 |
|
Reflections: Twenty-One Cinematographers At Work |
Benjamin Bergery |
|
| 382 |
|
Nollywood: The Making of a Film Empire |
Emily Witt |
|
| 383 |
|
16mm and 8mm Filmmaking: An Essential Guide to Shooting on Celluloid |
Jacob Dodd |
|
| 384 |
|
Archival Storytelling: A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music [2 ed.] |
Sheila Curran Bernard, Kenn Rabin |
2 |
| 385 |
|
Work in the Digital Media and Entertainment Industries: A Critical Introduction |
Tanner Mirrlees |
|
| 386 |
|
Nonfiction Filmmaking for the Screen [1 ed.] |
Charles Dye |
1 |
| 387 |
|
Independent Animation. Developing, Producing and Distributing Your Animated Films [2 ed.] |
Ben Mitchell |
2 |
| 388 |
|
The Grip Book: The Studio Grip's Essential Guide [7 ed.] |
Michael G. Uva |
7 |
| 389 |
|
The Animation Textbook |
Rao Heidmets |
|
| 390 |
|
Beyond Virtual Production: Integrating Production Technologies |
Barnett, Edited by Tully, Bevan, Jason, Mackness, Cameron, Wallin, Zoë |
|
| 391 |
|
Curso de creación de contenidos audiovisuales |
Juanjo Ramos |
|
| 392 |
|
Green Filmmaking: A Guide to Sustainable Movie Production |
Hayward, Kent |
|
| 393 |
|
The Photographer's Career Guide to Shooting Production Stills for Film and Television |
Jace Downs |
|
| 394 |
|
David Lynch (Filmmakers and Their Soundtracks) [1 ed.] |
Reba Wissner |
1 |
| 395 |
|
Smartphone Cinema: Making Great Films with Your Mobile Phone |
Bart Weiss |
|
| 396 |
|
Color Science and Digital Imaging: An Essential Guide for Visual Effects Artists, Filmmakers and Photographers [1 ed.] |
Steve Wright |
1 |
| 397 |
|
Musical Misfires: Three Decades of Broadway Musical Heartbreak |
Mark A. Robinson, Thomas S. Hischak |
|
| 398 |
|
The Education of the Filmmaker in Europe, Australia, and Asia |
Mette Hjort (eds.) |
|
| 399 |
|
The Focal easy guide to Final cut pro X [Third edition] |
Young, Rick |
|
| 400 |
|
26 Steps to Succeed In Hollywood...or Any Other Business |
Ben Stein, Al Burton |
|