Number |
Cover |
TextBook for Entertainment Industry |
Author |
Edition |
0 |
|
Adobe Premiere Pro Classroom in a Book 2024 Release [1 ed.] |
Maxim Jago |
1 |
1 |
|
Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? |
Philip Gefter |
|
2 |
|
The Filmmaker's Book of the Dead: How to Make Your Own Heart-Racing Horror Movie |
Danny Draven |
|
3 |
|
Every Night the Trees Disappear: Werner Herzog and the Making of Heart of Glass |
Alan Greenberg, Werner Herzog |
|
4 |
|
White Hunter, Black Heart |
Peter Viertel |
|
5 |
|
Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock |
Christina Lane |
|
6 |
|
The Evolution and Social Impact of Video Game Economics |
Casey B. Hart |
|
7 |
|
My Adventures with Satyajit Ray: The Making of Shatranj Ke Khilari |
Suresh Jindal |
|
8 |
|
My Years With Apu |
Satyajit Ray |
|
9 |
|
Portrait of a Director: Satyajit Ray |
Marie Seton |
|
10 |
|
Satyajit Ray: Interviews |
Bert Cardullo |
|
11 |
|
Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker |
Andrew Robinson |
|
12 |
|
Satyajit Ray's Ravi Shankar |
Satyajit Ray, Sandip Ray (editor) |
|
13 |
|
The Apu Trilogy: Satyajit Ray and the Making of an Epic |
Andrew Robinson (editor) |
|
14 |
|
Becoming Film Literate: The Art and Craft of Motion Pictures |
Vincent A. LoBrutto |
|
15 |
|
Principal Photography: Interviews with Feature Film Cinematographers |
Vincent LoBrutto |
|
16 |
|
Selected Takes: Film Editors on Editing |
Vincent LoBrutto |
|
17 |
|
Sound-On-Film: Interviews with Creators of Film Sound |
Vincent LoBrutto |
|
18 |
|
Stanley Kubrick: A Narrative and Stylistic Analysis |
Mario Falsetto |
|
19 |
|
The Art of Nonfiction Movie Making |
Jeffrey Friedman, Rob Epstein, Sharon Wood |
|
20 |
|
Directors' diaries: the road to their first film |
Bakshi, Rakesh Anand |
|
21 |
|
The Making of The Wandering Earth: A Film Production Handbook |
Jiaren Wang, Regina Kanyu Wang |
|
22 |
|
Your Child's Career in Music and Entertainment: The Prudent Parent's Guide from Start to Stardom |
Steven C. Beer |
|
23 |
|
The Coffee Break Screenwriter: Writing Your Script Ten Minutes at a Time |
Pilar Alessandra |
|
24 |
|
Mapping Taiwanese Cinema, 2008-20: Environments, Poetics, Practice [1 ed.] |
Christopher Brown |
1 |
25 |
|
Tracking Loach: Politics ǀ Practices ǀ Production |
David Archibald |
|
26 |
|
Australian International Pictures (1946–75) [1 ed.] |
Adrian Danks, Constantine Verevis |
1 |
27 |
|
Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags [1 ed.] |
Josephine Botting |
1 |
28 |
|
Hammer Goes to Hell: The House of Horror’s Unmade Films [1 ed.] |
Kieran Foster |
1 |
29 |
|
The Films of Antoinetta Angelidi |
Penny Bouska (editor), Sotiris Petridis (editor) |
|
30 |
|
Finnish Film Studios |
Kimmo Laine |
|
31 |
|
Produced by Irving Thalberg: Theory of Studio-Era Filmmaking |
Ana Salzberg |
|
32 |
|
From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition |
Sarah Atkinson |
|
33 |
|
Small-Gauge Storytelling: Discovering the Amateur Fiction Film [1 ed.] |
Ryan Shand, Ian Craven |
1 |
34 |
|
Breaking the Fourth Wall: Direct Address in the Cinema [1 ed.] |
Tom Brown |
1 |
35 |
|
African Filmmaking: North and South of the Sahara |
Roy Armes |
|
36 |
|
Maya Python for Games and Film. A Complete Reference for Maya Python and the Maya Python API |
Adam Mechtley and Ryan Trowbridge (Auth.) |
|
37 |
|
Visual Effects in A Digital World: A Comprehensive Glossary of over 7000 Visual Effects Terms [1st ed.] |
Karen Goulekas |
1 |
38 |
|
Image Processing for Cinema [1 ed.] |
Marcelo Bertalmío |
1 |
39 |
|
Creative Hustling: Women Making and Distributing Films from Nairobi |
Robin Steedman |
|
40 |
|
Exile Cinema: Filmmakers at Work Beyond Hollywood |
Michael Atkinson |
|
41 |
|
Cinematography: Theory and Practice: Image Making for Cinematographers and Directors |
Blain Brown |
|
42 |
|
The Machinima Reader |
Henry Lowood and Michael Nitsche (Editors) |
|
43 |
|
3D Video. From Capture to Diffusion |
Laurent Lucas, Céline Loscos, Yannick Rémion |
|
44 |
|
3DTV. Processing and Transmission of 3D Video Signals |
Anil Fernando,Stewart T. Worrall,Erhan Ekmekcio&,eth,lu |
|
45 |
|
SCREENWRITING FOR DUMMIES. [3 ed.] |
LAURA SCHELLHARDT |
3 |
46 |
|
Digital SLR Video and Filmmaking For Dummies |
Carucci, John |
|
47 |
|
Filmmaking for Dummies [3 ed.] |
Bryan Michael Stoller |
3 |
48 |
|
El cine en vivo y sus técnicas |
Coppola, Francis Ford |
|
49 |
|
The Filmmaker's Guide to Final Cut Pro Workflow |
Dale Angell |
|
50 |
|
Screenwriting is Rewriting: The Art and Craft of Professional Revision |
Epps Jr., Jack |
|
51 |
|
El cine según Hitchcock |
François Truffaut |
|
52 |
|
La creación de la Trilogía Original |
Francisco Javier Martínez García |
|
53 |
|
Aquí Kubrick |
Frederic Raphael |
|
54 |
|
Godfather: The Intimate Francis Ford Coppola |
Gene D. Phillips |
|
55 |
|
Edgar G. Ulmer: A Filmmaker at the Margins |
Isenberg, Noah |
|
56 |
|
Writing the Photoplay |
J. Berg Esenwein &, Arthur Leeds |
|
57 |
|
How to Make Movies: Low-Budget / No-Budget Indie Experts Tell All |
Lindenmuth, Kevin J. |
|
58 |
|
Rebel without a crew, or, How a 23-year-old filmmaker with $7,000 became a Hollywood player |
Robert Rodriguez |
|
59 |
|
A Night at the Opera |
Sir Denis Forman [Forman, Sir Denis] |
|
60 |
|
Caught in the web: dreaming up the world of Spider-Man 2 |
Vaz, Mark Cotta |
|
61 |
|
Memorias |
Riefenstahl, Leni |
|
62 |
|
Work in progress |
Michael Eisner, with Tony Schwartz |
|
63 |
|
Sweet revenge: the intimate life of Simon Cowell |
Cowell, Simon,Bower, Tom |
|
64 |
|
Estructura y gestión de empresas audiovisuales (comunicación) |
Medina Laverón, Mercedes |
|
65 |
|
Fundamentos de producción y gestión de proyectos audiovisuales (Comunicación) |
Pardo, Alejandro |
|
66 |
|
Producción ejecutiva de proyectos cinematográficos (Comunicación) |
Pardo, Alejandro |
|
67 |
|
Quiero hacer un documental |
Segarra, Manuel Gómez |
|
68 |
|
La creación audiovisual en la infancia: De espectadores a productores |
Augustowsky, Gabriela |
|
69 |
|
Cinematic Game Secrets for Creative Directors and Producers: Inspired Techniques From Industry Legends [1st ed.] |
Rich Newman |
1 |
70 |
|
Netflix |
Willy C. Shih, Stephen P. Kaufman and David Spinola |
|
71 |
|
Peter Jackson: A Film-maker's Journey |
Sibley, Brian |
|
72 |
|
Media Heterotopias: Digital Effects and Material Labor in Global Film Production |
Hye Jean Chung |
|
73 |
|
Basic Animation Stand Techniques [1st ed.] |
Brian G. D. Salt (Auth.) |
1 |
74 |
|
Film Production Management [3rd ed] |
Bastian Cleve |
3 |
75 |
|
Produce Your Own Damn Movie! |
Collins, Ashley Wren,Kaufman, Lloyd |
|
76 |
|
Sell Your Own Damn Movie! |
Antill, Sara,Kaufman, Lloyd |
|
77 |
|
The Filmmaker's Eye [1st edition] |
Mercado, Gustavo |
1 |
78 |
|
The visual effects producer: understanding the art and business of VFX |
Charles Finance, Susan Zwerman |
|
79 |
|
Every Man for Himself and God Against All : A Memoir |
Werner Herzog, Michael Hofmann |
|
80 |
|
How I Made a Hundred Movies in Hollywood and Never Lost a Dime |
Roger Corman |
|
81 |
|
Mi último suspiro |
Luis Buñuel |
|
82 |
|
So you want to be a producer [1st ed] |
Turman, Lawrence |
1 |
83 |
|
The Total Film Maker [1st Edition] |
Jerry Lewis |
1 |
84 |
|
Extreme DV at Used-Car Prices: How to Write, Direct, Shoot, Edit, and Produce a Digital Video Feature for Less Than $3,000 |
Rick Schmidt |
|
85 |
|
John Huston's filmmaking |
Lesley Brill |
|
86 |
|
John Huston’s Filmmaking |
Lesley Brill |
|
87 |
|
Independent Ed : inside a career of big dreams, little movies, and the twelve best days of my life |
Burns, Edward, Gold, Todd |
|
88 |
|
The Ironic Filmmaking of Stephen Frears |
Lesley Brill |
|
89 |
|
The passion of Ingmar Bergman |
Frank Gado |
|
90 |
|
Working Musicians: Labor and Creativity in Film and Television Production |
Timothy D. Taylor |
|
91 |
|
Filmer et photographier avec un drone (Serial makers) |
De Keyser, Éric |
|
92 |
|
The Filmmaker's Handbook: a Comprehensive Guide for the Digital Age [Fifth edition] |
Ascher, Steven,Pincus, Edward |
|
93 |
|
The Mind of the Modern Moviemaker |
Horowitz, Joshua |
|
94 |
|
Entretiens avec Peter Bogdanovich - T 2 |
Bogdanovich, Peter |
|
95 |
|
Mes monstres |
Risi, Dino |
|
96 |
|
On directing film |
Mamet, David |
|
97 |
|
Introduction to Documentary [3 ed.] |
Bill Nichols |
3 |
98 |
|
DV filmmaking : from start to finish [1st ed] |
Ian David Aronson |
1 |
99 |
|
Digital Video Hacks: Tips & Tools for Shooting, Editing, and Sharing |
Joshua Paul |
|
100 |
|
Tim Burton's Nightmare Before Christmas: The Film - The Art - The Vision (Disney Editions Deluxe (Film)) [1 ed.] |
Frank Thompson |
1 |
101 |
|
The Big Picture: Filmmaking Lessons from a Life on the Set |
Tom Reilly |
|
102 |
|
Coming Attractions?: Hollywood, High Tech, and the Future of Entertainment |
Philip E. Meza |
|
103 |
|
Producing Independent 2D Character Animation: Making & Selling A Short Film (Visual Effects and Animation Series) (Focal Press Visual Effects and Animation) |
Mark Simon |
|
104 |
|
Becoming a Film Producer |
Boris Kachka |
|
105 |
|
Waterloo - Making an Epic: The Spectacular Behind-The-Scenes Story of a Movie Colossus |
Simon Lewis |
|
106 |
|
Production Sound Mixing: The Art and Craft of Sound Recording for the Moving Image |
John J. Murphy |
|
107 |
|
The Third Act: Writing a Great Ending to Your Screenplay [3 ed.] |
Yanno, Drew |
3 |
108 |
|
Shadow Cinema: The Historical and Production Contexts of Unmade Films |
James Fenwick, Kieran Foster, David Eldridge (editors) |
|
109 |
|
Screenwriting: the sequence approach |
Gulino, Paul Joseph |
|
110 |
|
The Transformative Cinema of Alejandro Jodorowsky |
George Melnyk |
|
111 |
|
Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and Television |
Jed Dannenbaum, Doe Mayer |
|
112 |
|
Understanding Machinima: Essays on Filmmaking in Virtual Worlds |
Jenna Ng |
|
113 |
|
Film lighting: talks with Hollywood's cinematographers and gaffers [2nd ed] |
Malkiewicz, J. Kris |
2 |
114 |
|
Writing the Horror Movie [Annotated] |
Marc Blake, Sara Bailey |
|
115 |
|
Write What You Don't Know: An Accessible Manual for Screenwriters |
Julian Hoxter |
|
116 |
|
Werner Herzog: Filmmaker and Philosopher |
Richard Eldridge |
|
117 |
|
Being There and the Evolution of a Screenplay: 3 Draft Scripts with Commentary |
Aaron Hunter |
|
118 |
|
Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics |
Carol Vernallis, Holly Rogers, Lisa Perrott |
|
119 |
|
Film Editing: Emotion, Performance and Story |
Julie Lambden |
|
120 |
|
As You Wish: Inconceivable Tales from the Making of The Princess Bride |
Elwes, Cary,Layden, Joe |
|
121 |
|
Art History for Filmmakers: The Art of Visual Storytelling [Reprint ed.] |
Gillian McIver |
|
122 |
|
Latin American Women Filmmakers: Production, Politics, Poetics |
Deborah Martin, Julian Ross, Deborah Shaw, Lúcia Nagib |
|
123 |
|
SceneWriting: The Missing Manual for Screenwriters |
Chris Perry, Eric Henry Sanders |
|
124 |
|
The Psychology of Screenwriting: Theory and practice |
Jason Lee |
|
125 |
|
Design in Motion: Applying design principles to filmmaking |
Penny Hilton |
|
126 |
|
Beyond the Bottom Line: The Producer in Film and Television Studies |
Andrew Spicer, A.T. McKenna, Christopher Meir (editors) |
|
127 |
|
Dramatic Effects with a Movie Camera |
Gail Segal, Sheril Antonio |
|
128 |
|
Smartphone Filmmaking: Theory and Practice |
Max Schleser |
|
129 |
|
Live Fast, Die Young: The Wild Ride of Making Rebel Without a Cause |
Lawrence Frascella, Al Weisel |
|
130 |
|
Post Sound Design: The Art and Craft of Audio Post Production for The Moving Image |
John Avarese |
|
131 |
|
Video Demystified, 3rd Edition [3rd ed.] |
Keith Jack |
3 |
132 |
|
The Art of the Storyboard, : A filmmaker's introduction [2 ed.] |
John Hart |
2 |
133 |
|
Directing the Documentary [4th ed.] |
Michael Rabiger |
4 |
134 |
|
Practical DV Filmmaking [2 ed.] |
Evans R. |
2 |
135 |
|
Direct Your Own Damn Movie! |
Lloyd Kaufman, Sara Antill, Kurly Tlapoyawa |
|
136 |
|
Making a Scene in Documentary Film: Iconic Filmmakers Discuss What Works and Why |
Maxine Trump |
|
137 |
|
Investing in movies: strategies for producers and investors |
Cohen, Joseph N |
|
138 |
|
Single-Camera Video Production, Fourth Edition (Media Manuals) [4 ed.] |
Robert B. Musburger PhD |
4 |
139 |
|
Production Pipeline Fundamentals for Film and Games |
Dunlop, Renee |
|
140 |
|
Understanding the Business of Entertainment: The Legal and Business Essentials All Filmmakers Should Know |
Gregory Bernstein |
|
141 |
|
Documentary Storytelling, Second Edition: Making Stronger and More Dramatic Nonfiction Films [2 ed.] |
Sheila Curran Bernard |
2 |
142 |
|
Creating Special Effects for TV and Film 1977 [Not Indicat ed.] |
Bernard Wilkie |
|
143 |
|
Killer Camera Rigs That You Can Build: How to Build Your Own Camera Cranes, Car Mounts, Stabilizers, Dollies and More!, Third Edition [1 ed.] |
Dan Selakovich |
1 |
144 |
|
The Green screen handbook: real-world production techniques [2a ed.] |
Foster, Jeff |
2 |
145 |
|
Cinemas of the Other: A Personal Journey with Film-Makers from Central Asia [2 ed.] |
Gonul Domez–Colin |
2 |
146 |
|
Beyond Continuity: Script Supervision for the Modern Filmmaker [2 ed.] |
Mary Cybulski |
2 |
147 |
|
The Producer's Business Handbook, Third Edition: The Roadmap for the Balanced Film Producer [3rd ed.] |
John J. Lee Jr., Anne Marie Gillen |
3 |
148 |
|
The visual story : creating the structure of film, television, and visual media [2 ed.] |
Bruce A Block |
2 |
149 |
|
Shooting movies without shooting yourself in the foot : becoming a cinematographer |
Jack Anderson |
|
150 |
|
The Filmmaker's Guide to Visual Effects: The Art and Techniques of VFX for Directors, Producers, Editors and Cinematographers [2 ed.] |
Eran Dinur |
2 |
151 |
|
Pre-production planning for video, film, and multimedia, Volume 1 [1 ed.] |
Steve R. Cartwright |
1 |
152 |
|
Grammar of the Shot, [2 ed.] |
Roy Thompson, Christopher J. Bowen |
2 |
153 |
|
Script Supervising and Film Continuity, Third Edition [3 ed.] |
Pat P Miller |
3 |
154 |
|
The Videomaker guide to digital video and DVD production [2nd ed.] |
Videomaker |
2 |
155 |
|
The camera assistant's manual [4th ed.] |
David E Elkins |
4 |
156 |
|
Motion Picture and Video Lighting, [2 ed.] |
Blain Brown |
2 |
157 |
|
Beginning VFX with Autodesk Maya: Create Industry-Standard Visual Effects from Scratch [1 ed.] |
Abhishek Kumar |
1 |
158 |
|
Grammar of the Edit [5 ed.] |
Christopher J. Bowen |
5 |
159 |
|
Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers [1 ed.] |
Blain Brown |
1 |
160 |
|
Hollywood Drive: What it Takes to Break in, Hang in & Make it in the Entertainment Industry |
Eve Light Honthaner |
|
161 |
|
The Filmmaker's Guide to Creatively Embracing Limitations: Not Getting What You Want Leading to Creating What You Need |
William Pace, Ingrid Stobbe |
|
162 |
|
The Wedding Video Handbook: How to Succeed in the Wedding Video Business [Pap/DVD ed.] |
Kirk Barber |
|
163 |
|
The Grip Book [4 ed.] |
Michael Uva |
4 |
164 |
|
Cinematography: Theory and Practice, Second Edition: Image Making for Cinematographers and Directors [2nd ed.] |
Blain Brown |
2 |
165 |
|
The Complete Film Production Handbook [4 ed.] |
Eve Light Honthaner |
4 |
166 |
|
Location Audio Simplified: Capturing Your Audio... and Your Audience [1 ed.] |
Dean Miles |
1 |
167 |
|
Final Cut Pro Workflows: The Independent Studio Handbook |
Jason Osder, Robbie Carman |
|
168 |
|
Lighting for Animation: The Art of Visual Storytelling |
Jasmine Katatikarn, Michael Tanzillo |
|
169 |
|
3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy [1st ed.] |
Bernard Mendiburu |
1 |
170 |
|
Animation Writing and Development, : From Script Development to Pitch (Focal Press Visual Effects and Animation) [First Edition] |
Jean Ann Wright |
|
171 |
|
Rotoscoping: Techniques and Tools for the Aspiring Artist [Pap/Cdr ed.] |
Benjamin Bratt |
|
172 |
|
Prepare to board!: creating story and characters for animated features and shorts [Second edition] |
Beiman, Nancy |
|
173 |
|
3D storytelling: how stereoscopic 3D works and how to use it |
McNally, Philip,Block, Bruce A |
|
174 |
|
Better Location Shooting: Techniques for Video Production |
Paul Martingell |
|
175 |
|
The Art Direction Handbook for Film |
Michael Rizzo |
|
176 |
|
Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling [1 ed.] |
David Bordwell |
1 |
177 |
|
Digital Compositing for Film and Video, Third Edition [3 ed.] |
Steve Wright |
3 |
178 |
|
Professional Web Video: Plan, Produce, Distribute, Promote and Monetize Quality Video [1 ed.] |
Richard Harrington, Mark Weiser |
1 |
179 |
|
Minding movies: observations on the art, craft, and business of filmmaking |
Bordwell, David,Thompson, Kristin |
|
180 |
|
Experimental Filmmaking and the Motion Picture Camera; An Introductory Guide for Artists and Filmmakers |
Joel Schlemowitz |
|
181 |
|
The Camera Assistant's Manual, Fourth Edition [4 ed.] |
David E. Elkins s.o.c. |
4 |
182 |
|
The Visual Effects Arsenal: VFX Solutions for the Independent Filmmaker [Pap/Cdr ed.] |
Bill Byrne |
|
183 |
|
IFP/Los Angeles Independent Filmmaker's Manual, Second Edition [2 ed.] |
Eden H. Wurmfeld, Nicole Laloggia |
2 |
184 |
|
Focal Easy Guide to After Effects: For new users and professionals |
Curtis Sponsler |
|
185 |
|
The Assistant Lighting Designer's Toolkit [2 ed.] |
Anne E. McMills |
2 |
186 |
|
The VES handbook of visual effects: industry standard VFX practices and procedures |
Okun, Jeffrey A.,Rafferty, Kevin,Squires, Scott,Zwerman, Susan |
|
187 |
|
Directing And Producing For Television: A Format Approach |
Ivan Cury |
|
188 |
|
Foundation Flash CS3 Video [1 ed.] |
Adam Thomas, Tom Green |
1 |
189 |
|
How To Make Animated Films |
White T. |
|
190 |
|
Directing. Film techniques and aesthetics. 5th, rev. ed [5th edition] |
Rabiger |
5 |
191 |
|
The Camera Assistants Manual [5Th Edition] |
David E. Elkins,S.O.C. |
5 |
192 |
|
Alternative Scriptwriting: Rewriting the Hollywood Formula [4 ed.] |
Ken Dancyger, Jeff Rush |
4 |
193 |
|
Directing the Documentary [6th edition] |
Rabiger, Michael |
6 |
194 |
|
The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition [2 ed.] |
Gustavo Mercado |
2 |
195 |
|
The VES Handbook of Visual Effects: Industry Standard VFX Practices and Procedures |
Jeffrey A. Okun, Susan Zwerman |
|
196 |
|
Producing great sound for film and video: expert tips from preproduction to final mix [4th edition] |
Rose, Jay |
4 |
197 |
|
Sound for Moving Pictures: The Four Sound Areas [1 ed.] |
Neil Hillman |
1 |
198 |
|
Filming the Fantastic: A Guide to Visual Effects Cinematography, Second Edition [2 ed.] |
Mark Sawicki |
2 |
199 |
|
The Filmmaker's Guide to Digital Imaging: for Cinematographers, Digital Imaging Technicians, and Camera Assistants [1 ed.] |
Blain Brown |
1 |
200 |
|
Audio Postproduction for Film and Video (Sublinhado) [2 ed.] |
Jay Rose |
2 |
201 |
|
Mastering MultiCamera Techniques: From Preproduction to Editing and Deliverables [1 Pap/Cdr ed.] |
Mitch Jacobson |
1 |
202 |
|
Making 'Toons That Sell Without Selling Out: the Bill Plympton Guide to Independent Animation Success [1 ed.] |
Plympton, Bill |
1 |
203 |
|
Modern Post: Workflows and Techniques for Digital Filmmakers [1 ed.] |
Scott Arundale, Tashi Trieu |
1 |
204 |
|
Professional Storyboarding: Rules of Thumb [1 ed.] |
Sergio Paez, Anson Jew |
1 |
205 |
|
The Business of Film: A Practical Introduction [3 ed.] |
Stephen R. Greenwald, Paula Landry |
3 |
206 |
|
Digital cinematography: fundamentals, tools, techniques, and workflows |
Stump, David |
|
207 |
|
An Introduction to Film and TV Production From Concept to Market |
Joseph Richie, Karen Russell, Airielle J. Taylor, Tameka Winston |
|
208 |
|
The Visual Effects Producer: Understanding the Art and Business of VFX |
Charles Finance, Susan Zwerman |
|
209 |
|
Aesthetics of Film Production: A Hands-On Guide to Authorial Voice |
James B. Joyce |
|
210 |
|
Power Filmmaking Kit [Pap/DVD ed.] |
Jason Tomaric |
|
211 |
|
VFX Artistry: A Visual Tour of How the Studios Create Their Magic |
Spencer Drate, Judith Salavetz |
|
212 |
|
Film Directing Fundamentals: From Script to Screen [1 ed.] |
Nicholas T. Proferes |
1 |
213 |
|
Video Shooter, Second Edition: Storytelling with HD Cameras [2 ed.] |
Barry Braverman |
2 |
214 |
|
3D Movie Making Stereoscopic Digital Cinema from Script to Screen |
Bernard Mendiburu |
|
215 |
|
Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation [1 ed.] |
Francis Glebas |
1 |
216 |
|
Quick: Time for Filmmakers |
Richard K. Ferncase (Auth.) |
|
217 |
|
DIRECTING: FILM TECHNIQUES AND AESTHETICS [Fifth Edition] |
Michael Rabiger, Mick Hurbis-Cherrier |
|
218 |
|
The hair stylist handbook : techniques for film and television |
Yvette Rivas, Gretchen Davis |
|
219 |
|
Digital Compositing for Film and Video [1st ed.] |
Steve Wright |
1 |
220 |
|
Shooting Action Sports: The Ultimate Guide to Extreme Filmmaking |
Todd Grossman |
|
221 |
|
The technique of television production [11 ed.] |
Millerson, Gerald |
11 |
222 |
|
Beyond continuity: script supervision for the modern filmmaker |
Cybulski, Mary |
|
223 |
|
Sound for Film and Television, Second Edition |
Tomlinson Holman |
|
224 |
|
Vegas Pro 11 editing workshop |
Douglas Spotted Eagle |
|
225 |
|
Directors Tell the Story |
Belli, Mary Lou,Rooney, Bethany |
|
226 |
|
Make Your Movie: What You Need to Know About the Business and Politics of Filmmaking [1 ed.] |
Barbara Freedman Doyle |
1 |
227 |
|
The Camera Assistant's Manual [5 ed.] |
David E. Elkins SOC |
5 |
228 |
|
The Dos and Don'ts of Successful Filmmaking |
Patrick Winters |
|
229 |
|
Screenwriting for Micro-Budget Films: Tips, Tricks and Hacks for Reverse Engineering Your Screenplay |
David Greenberg |
|
230 |
|
The Steadicam® Operator's Handbook |
Jerry Holway, Laurie Hayball |
|
231 |
|
Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker [1 ed.] |
Dan Rahmel |
1 |
232 |
|
Directing: Film Techniques and Aesthetics [3 ed.] |
Michael Rabiger |
3 |
233 |
|
Production Safety for Film, Television and Video |
Robin Small |
|
234 |
|
Nuts and Bolts Filmmaking. Practical Techniques for the Guerilla Filmaker |
Dan Rahmel (Auth.) |
|
235 |
|
Raindance Producers' Lab Lo-To-No Budget Filmmaking |
Elliot Grove |
|
236 |
|
Nuke 101: Professional Compositing and Visual Effects [1 ed.] |
Ron Ganbar |
1 |
237 |
|
The 12-Hour Film Expert |
Noah Charney, James Charney |
|
238 |
|
The documentary diaries: Working experiences of a non-fiction filmmaker |
Alan Rosenthal |
|
239 |
|
GoPro: Professional Guide to Filmmaking [covers the HERO4 and all GoPro cameras] [1 ed.] |
Schmidt, Bradford, Thompson, Brandon, Woodman, Nick |
1 |
240 |
|
Cinesonica: Sounding film and video |
Andy Birtwistle |
|
241 |
|
How to Shoot Video That Doesn't Suck: Advice to Make Any Amateur Look Like a Pro [1 ed.] |
Stockman, Steve |
1 |
242 |
|
Filmmaking for fieldwork: A practical handbook |
Andy Lawrence |
|
243 |
|
Avid Media Composer | First: Fundamentals of Video Editing (Avid Learning) |
Avid Technology |
|
244 |
|
The three amigos: The transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón |
Deborah Shaw |
|
245 |
|
The Hollywood Assistants Handbook: 86 Rules for Aspiring Power Players |
Peter Nowalk, Hillary Stamm |
|
246 |
|
Create Video with Media Composer |
Avid Technology |
|
247 |
|
In conversation with cinematographers |
David A. Ellis author of Conversations with Cinematographers |
|
248 |
|
Smartbomb: The Quest for Art, Entertainment, and Big Bucks in the Videogame Revolution |
Heather Chaplin, Aaron Ruby |
|
249 |
|
The Documentarian: The Way to a Successful and Creative Professional Life in the Documentary Business |
Roger Nygard |
|
250 |
|
Polly Platt: Hollywood Production Design and Creative Authorship |
Aaron Hunter |
|
251 |
|
The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks [1 ed.] |
Liz Greene, Danijela Kulezic-Wilson (eds.) |
1 |
252 |
|
The Palgrave Handbook of Script Development |
Stayci Taylor (editor), Craig Batty (editor) |
|
253 |
|
Film and Television Production in the Age of Climate Crisis: Towards a Greener Screen (Palgrave Studies in Media and Environmental Communication) |
Pietari Kääpä (editor), Hunter Vaughan (editor) |
|
254 |
|
The Palgrave Handbook of Screen Production |
Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan |
|
255 |
|
Child Labor in the British Victorian Entertainment Industry: 1875–1914 [1 ed.] |
Dyan Colclough (auth.) |
1 |
256 |
|
Hope Not Fear: Finding My Way from Refugee to Filmmaker to NHS Hospital Cleaner and Activist |
Hassan Akkad |
|
257 |
|
Screenwriting for Neurotics: A Beginner’s Guide to Writing a Feature-Length Screenplay from Start to Finish [1 ed.] |
Scott Winfield Sublett |
1 |
258 |
|
Documentary Filmmaking - A Contemporary Field Guide |
John Hewitt, Gustavo Vazquez |
|
259 |
|
Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine |
Tanya Shilina-Conte |
|
260 |
|
The Art of the Filmmaker: The Practical Aesthetics of the Screen |
Peter Markham |
|
261 |
|
American Showman: Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908-1935 [1St Edition] |
Ross Melnick |
1 |
262 |
|
Citizen Kane: a filmmaker's journey |
Lebo, Harlan |
|
263 |
|
Second Take: Australian Film-Makers Talk |
Raffaele Caputo, Geoff Burton |
|
264 |
|
The dynamic frame camera movement inclassical Hollywood |
Keating, Patrick |
|
265 |
|
The Dynamic Frame: Camera Movement in Classical Hollywood |
Patrick Keating |
|
266 |
|
The Out-of-Home Immersive Entertainment Frontier: Expanding Interactive Boundaries in Leisure Facilities [New edition] |
Williams, Kevin, Mr, Mascioni, Michael, Mr, &, Michael Mascioni |
|
267 |
|
Digital Cinema : The Revolution in Cinematography, Post-Production, and Distribution [1 ed.] |
Brian McKernan |
1 |
268 |
|
The Business of TV Production [1 ed.] |
Craig Collie |
1 |
269 |
|
Digital Filmmaking for Beginners A Practical Guide to Video Production |
Michael Hughes |
|
270 |
|
AI Gold Rush: Create Videos in Seconds |
Insiders AI |
|
271 |
|
William Greaves: Filmmaking as Mission |
Scott MacDonald (editor), Jacqueline Najuma Stewart (editor) |
|
272 |
|
Nonfiction Sound and Story for Film and Video-A Practical Guide for Filmmakers and Digital Content Creators [1 ed.] |
Amy DeLouise (Author), Cheryl Ottenritter (Author) |
1 |
273 |
|
Comic-con and the business of pop culture : what the world's wildest trade show can tell us about the future of entertainment [1 ed.] |
Salkowitz, Rob |
1 |
274 |
|
Comic-con and the business of pop culture: what the world's wildest trade show can tell us about the future of entertainment |
Salkowitz, Rob |
|
275 |
|
On the Move for Love: Migrant Entertainers and the U.S. Military in South Korea |
Sealing Cheng |
|
276 |
|
Sex Work, Labour, and Empowerment: Lessons from the Informal Entertainment Sector in Nepal [1 ed.] |
Sutirtha Sahariah |
1 |
277 |
|
Ideas for the Animated Short with DVD: Finding and Building Stories [Pap/DVD ed.] |
Karen Sullivan, Gary Schumer, Kate Alexander |
|
278 |
|
Ideas for the Animated Short with DVD. Finding and Building Stories |
Karen Sullivan, Gary Schumer and Kate Alexander (Auth.) |
|
279 |
|
Ideas for the Animated Short: Finding and Building Stories [Pap/DVD ed.] |
Karen Sullivan, Kate Alexander, Gary Schumer |
|
280 |
|
When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man |
Jerry Weintraub |
|
281 |
|
When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man [1 ed.] |
Jerry Weintraub |
1 |
282 |
|
Stories Make the World: Reflections on Storytelling and the Art of the Documentary |
Stephen Most |
|
283 |
|
Transcultural Screenwriting : Telling Stories for a Global World [1 ed.] |
Carmen Sofia Brenes, Patrick Cattrysse, Margaret McVeigh |
1 |
284 |
|
Dark Matter: Independent Filmmaking in the 21st Century |
Michael Winterbottom |
|
285 |
|
On Story: Screenwriters and Filmmakers on Their Iconic Films |
Austin Film Festival |
|
286 |
|
Story: substance, structure, style, and the principles of screenwriting |
MacKee, Robert |
|
287 |
|
A Lot Can Happen in the Middle of Nowhere: The Untold Story of the Making of Fargo |
Todd Melby |
|
288 |
|
Anything You Can Imagine: Peter Jackson and the Making of Middle-earth |
Ian Nathan, Andy Serkis |
|
289 |
|
Story Pitch |
Scott King |
|
290 |
|
Screenwriting 101 - Mastering the Art of Story (Audiobook) |
Professor Angus Fletcher |
|
291 |
|
The Star Wars Album: The Incredible Behind-the-Scenes Story of the Most Extraordinary Motion Picture of Our Time [Official collector's ed] |
Diane Masters Watson (ed.) |
|
292 |
|
Story design: creating popular Hollywood movies [2nd ed] |
Stefanik, Richard Michaels |
2 |
293 |
|
Directors Tell the Story |
Belli, Mary Lou,Rooney, Bethany |
|
294 |
|
The Making of Star Wars: The Definitive Story Behind the Original Film [1St Edition] |
J.W. Rinzler, Peter Jackson |
1 |
295 |
|
What’s the Story? The Director Meets Their Screenplay [1 ed.] |
Peter Markham |
1 |
296 |
|
Film Production Technique: Creating the Accomplished Image [5 ed.] |
Bruce Mamer |
5 |
297 |
|
On Story—Screenwriters and Filmmakers on Their Iconic Films |
Austin Film Festival (editor), Barbara Morgan (editor), Maya Perez (editor), James Franco (editor) |
|
298 |
|
Directing the Story. Professional Storytelling and Storyboarding Techniques for Live Action and Animation |
Francis Glebas (Auth.) |
|
299 |
|
Adobe Story Starter: Develop professional scripts, ready for production |
Christopher Tilford |
|
300 |
|
Writing Screenplays That Sell: The Complete, Step-By-Step Guide for Writing and Selling to the Movies and TV, from Story Concept to Development Deal [Paperback ed.] |
Michael Hauge |
|
301 |
|
Working With a Contemporary Step Outline: The tool of choice for story development: Includes the full step outline for the film story: Bella |
David Baboulene |
|
302 |
|
On Story - Screenwriters and Their Craft |
Austin Film Festival (editor), Barbara Morgan (editor), Maya Perez (editor) |
|
303 |
|
Reel Black Talk: A Sourcebook of 50 American Filmmakers [First Edition] |
Linda Allen, Spencer Moon |
|
304 |
|
Powerhouse: The Untold Story of Hollywood’s Creative Artists Agency |
James Andrew Miller |
|
305 |
|
Writing Screenplays That Sell: The Complete Guide to Turning Story Concepts into Movie and Television Deals [New Twentieth Anniversary Edition] |
Hauge, Michael |
|
306 |
|
Setting up your story cinematically : the 100 most powerful film conventions every filmmaker must know |
Van Sijll, Jennifer |
|
307 |
|
Funny!: Twenty-Five Years of Laughter from the Pixar Story Room |
Jason Katz, John Lasseter |
|
308 |
|
Hardcore Horror Cinema in the 21st Century: Production, Marketing and Consumption |
James Aston |
|
309 |
|
Special Effects Technician |
Matt Mullins |
|
310 |
|
Video Basics [6 ed.] |
Herbert Zettl |
6 |
311 |
|
Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road |
Kyle Buchanan |
|
312 |
|
Caddyshack: The Making of a Hollywood Cinderella Story |
Chris Nashawaty |
|
313 |
|
Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation |
Francis Glebas |
|
314 |
|
Beyond the Hero's Journey: A Screenwriting Guide for When You've Got a Different Story to Tell |
Anthony Mullins |
|
315 |
|
Ink Spots: The Collected Writings of Brian McDonald on Story Structure, Filmmaking, and Craftsmanship |
McDonald, Brian |
|
316 |
|
When The Shooting Stops ... The Cutting Begins: A Film Editor's Story |
Rosenblum, Ralph,Karen, Robert |
|
317 |
|
Ink Spots: Collected Writings on Story Structure, Filmmaking and Craftsmanship |
Brian McDonald |
|
318 |
|
Story Maps: How to Write a GREAT Screenplay |
Daniel Calvisi |
|
319 |
|
A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator's Rise to Power |
Paul Fischer |
|
320 |
|
Screenwriting for Storytellers : How to Take Your Story from Idea to Script |
SherLann D. Moore |
|
321 |
|
The visual story : creating the visual structure of film, TV, and digital media [Third ed.] |
Bruce Block |
|
322 |
|
Film school: the true story of a midwestern family man who went to the world's most famous film school, fell flat |
University of Southern California. School of Cinematic Arts,Boman, Steve |
|
323 |
|
When The Shooting Stops ... The Cutting Begins: A Film Editor’s Story [Original retail ed.] |
Ralph Rosenblum, Robert Karen |
|
324 |
|
Digital Moviemaking: All the Skills, Techniques and Moxie You'll Need to Turn Your Passion Into a Career (The Filmmaker's Guide to the 21st Century) [2nd ed.] |
Scott Billups |
2 |
325 |
|
Storyboarding Essentials: SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media) [1st ed] |
Rousseau, David Harland,Phillips, Benjamin Reid |
1 |
326 |
|
Story: Substance, Structure, Style and The Principles of Screenwriting [1 ed.] |
Robert Mckee |
1 |
327 |
|
Instant Adobe Story Starter: Develop professional scripts, ready for production |
Tilford C. |
|
328 |
|
Bessere Videos drehen: Ein Leitfaden zu Recherche, Story, Aufnahme, Schnitt und Effekten |
Reinhard M. Nikschick |
|
329 |
|
Nonfiction Sound and Story for Film and Video: A Practical Guide for Filmmakers and Digital Content Creators |
Amy Delouise, Cheryl Ottenritter |
|
330 |
|
The Inner Game of Screenwriting: 20 Winning Story Forms |
Sandy Frank |
|
331 |
|
Our Own Image: A Story of a Maori Filmmaker |
Barry Barclay, Jeff Bear |
|
332 |
|
Filming with Attenborough: The Making of Cry Freedom |
Donald Woods |
|
333 |
|
Satyajit Ray: The Inner Eye: The Biography of a Master Film-Maker [Revised and Updated] |
Andrew Robinson |
|
334 |
|
Entertainment industry economics : a guide for financial analysis [8th ed] |
Harold L Vogel |
8 |
335 |
|
X Films: True Confessions of a Radical Filmmaker |
Alex Cox (editor) |
|
336 |
|
Latin American Women Filmmakers: Production, Politics, Poetics |
Deborah Martin, Deborah Shaw (editors) |
|
337 |
|
Towards a theory of montage |
Sergei Eisenstein |
|
338 |
|
Kira Muratova: The Filmmaker's Companion 4 (The Kinofiles Filmmaker's Companions) |
Jane Taubman |
|
339 |
|
Egyptian Cinema and the 2011 Revolution: Film Production and Representing Dissent |
Ahmed Ghazal |
|
340 |
|
The Economics of Making a Movie |
Robin Johnson |
|
341 |
|
Kira Muratova |
Muratova, Kira,Taubman, Jane |
|
342 |
|
Alex Cox X films : true confessions of a radical filmmaker |
Cox, Alex, Cox, Alex |
|
343 |
|
Entertainment industry economics : a guide for financial analysis [Tenth ed.] |
Harold L. Vogel |
|
344 |
|
Hollywood economics : how extreme uncertainty shapes the film industry [English ed.] |
Arthur De Vany. |
|
345 |
|
The Entertainment Industry: An Introduction (CABI Tourism Texts) [Illustrated] |
Stuart Moss (editor) |
|
346 |
|
Entertainment Industry Economics: A Guide for Financial Analysis [8 ed.] |
Harold L. Vogel |
8 |
347 |
|
Entertainment Industry Economics: A Guide for Financial Analysis [7 ed.] |
Harold L. Vogel |
7 |
348 |
|
Adobe Premiere pro bible |
Adele Droblas, Seth Greenberg |
|
349 |
|
The complete guide to standard script formats |
Cole, Hillis R,Haag, Judith H, Haag, Judith H |
|
350 |
|
Filmmaking for Dummies [2nd ed] |
Bryan Michael Stoller |
2 |