| Number |
Cover |
TextBook for Entertainment Industry |
Author |
Edition |
| 0 |
 |
A Career in Radio: Understanding the Key Building Blocks |
Sayed Mohammad Amir |
|
| 1 |
 |
Acting Professionally: An Essential Career Guide for the Actor [9 ed.] |
Robert Cohen, James Calleri |
9 |
| 2 |
 |
Applied Screenwriting: How to Write True Scripts for Creative and Commercial Video [1 ed.] |
Carey Martin |
1 |
| 3 |
 |
Beethoven's Ninth Symphony: Rehearsing and Performing its 1824 Premiere |
Theodore Albrecht |
|
| 4 |
 |
Cinema and Secularism |
Mark Cauchi (editor) |
|
| 5 |
 |
Cocktails with George and Martha: Movies, Marriage, and the Making of Who’s Afraid of Virginia Woolf? |
Philip Gefter |
|
| 6 |
 |
21st-Century TV Dramas: Exploring the New Golden Age |
Damico, Amy M.,Quay, Sara E |
|
| 7 |
 |
Sports on Television |
Alvin H. Marill |
|
| 8 |
 |
Sound in Indian Film and Audiovisual Media: History, Practices and Production |
Budhaditya Chattopadhyay |
|
| 9 |
 |
Indian Indies: A Guide to New Independent Indian Cinema |
Ashvin Immanuel Devasundaram, Shabana Azmi |
|
| 10 |
 |
A Companion to Indian Cinema |
Neepa Majumdar, Ranjani Mazumdar |
|
| 11 |
 |
The Queen of Indian Pop: The Authorised Biography of Usha Uthup |
Vikas Kumar Jha |
|
| 12 |
 |
Appreciating Melodrama: Theory and Practice in Indian Cinema and Television |
Piyush Roy |
|
| 13 |
 |
75 Years of Indian Cinema |
Firoze Rangoonwalla |
|
| 14 |
 |
A Taste for Indian films Negotiating cultural boundaries in post-Stalinist Soviet society |
Sudha Rajagopalan |
|
| 15 |
 |
Historical realism : modes of modernity in Indian cinema, 1940-60 |
Moinak Biswas |
|
| 16 |
 |
Indian Cinema: Contemporary Perceptions from the Thirties |
Samik Bandyopadhyay, Dhruba Gupta, Biren Das Sharma |
|
| 17 |
 |
Indian Documentary Film and Filmmakers: Independence in Practice |
Shweta Kishore |
|
| 18 |
 |
Bollywood Does Battle: The War Movie and the Indian Popular Imagination |
Samir Chopra |
|
| 19 |
 |
Indian Film Stars: New Critical Perspectives |
Michael Lawrence |
|
| 20 |
 |
Handbook of Research on Social and Cultural Dynamics in Indian Cinema |
Santosh Kumar Biswal, Krishna Sankar Kusuma, Sulagna Mohanty |
|
| 21 |
 |
100 Essential Indian Films |
Rohit K. Dasgupta, Sangeeta Datta |
|
| 22 |
 |
American Indian Image Makers of Hollywood |
Frank Javier Garcia Berumen |
|
| 23 |
 |
Indian Cinema Beyond Bollywood: The New Independent Cinema Revolution |
Ashvin Immanuel Devasundaram |
|
| 24 |
 |
House Full: Indian Cinema and the Active Audience |
Lakshmi Srinivas |
|
| 25 |
 |
Studying Indian Cinema |
Omar Ahmed |
|
| 26 |
 |
Bollywood and Postmodernism: Popular Indian Cinema in the 21st Century |
Neelam Sidhar Wright |
|
| 27 |
 |
Zindagi on television - bringing us closer: a study of Pakistani TV dramas on Indian television |
Jyoti Mehra, K.S. Kusuma |
|
| 28 |
 |
Piracy in the Indian Film Industry: Copyright and Cultural Consonance |
Arul George Scaria |
|
| 29 |
 |
Understanding India : Cultural Influences on Indian Television Commercials |
Rohitashya Chattopadhyay |
|
| 30 |
 |
The Politics of Hindi Cinema in the New Millennium: Bollywood and the Anglophone Indian Nation |
M. K. Raghavendra |
|
| 31 |
 |
Globalization and Television: A Study of the Indian Experience, 1990-2010 |
Sunetra Sen Narayan |
|
| 32 |
 |
Indian Accents: Brown Voice and Racial Performance in American Television and Film |
Shilpa S. Dave |
|
| 33 |
 |
Figurations in Indian Film |
Meheli Sen, Anustup Basu (eds.) |
|
| 34 |
 |
The Melodramatic Public: Film Form and Spectatorship in Indian Cinema |
Ravi Vasudevan (auth.) |
|
| 35 |
 |
Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora (eds.) |
Rini Bhattacharya Mehta, Rajeshwari V. Pandharipande |
|
| 36 |
 |
Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema |
M.K. Raghavendra |
|
| 37 |
 |
Bollyworld : popular Indian cinema through a transnational lens |
Raminder Kaur, Ajay J Sinha |
|
| 38 |
 |
The Kapoors: The First Family of Indian Cinema |
Madhu Jain |
|
| 39 |
 |
The Secret Politics of our Desires: Innocence, Culpability and Indian Popular Cinema |
Ashis Nandy (editor) |
|
| 40 |
 |
The Indian Film |
Panna Shah |
|
| 41 |
 |
Indian film |
Erik Barnouw, S Krishnaswamy |
|
| 42 |
 |
Liberty and License in the Indian Cinema |
A. Vasudev |
|
| 43 |
 |
50 Films That Changed Bollywood, 1995-2015 |
Gupta, Shubhra |
|
| 44 |
 |
An Unsuitable Boy |
Johar, Karan,Saxena, Poonam |
|
| 45 |
 |
Anusual : memoir of a girl who came back from the dead |
Aggarwal, Anu |
|
| 46 |
 |
Bollywood Horrors : Religion, Violence and Cinematic Fears in India |
Ellen Goldberg, Aditi Sen, and Brian Collins |
|
| 47 |
 |
Bollywood’s India: A Public Fantasy |
Priya Joshi |
|
| 48 |
 |
Bollywood's India: A Public Fantasy |
Priya Joshi |
|
| 49 |
 |
Bollywood's India: Hindi Cinema as a Guide to Contemporary India |
Rachel Dwyer |
|
| 50 |
 |
Channeling Cultures: Television Studies from India |
Biswarup Sen (editor), Abhijit Roy (editor) |
|
| 51 |
 |
Cinema, Transnationalism, and Colonial India: Entertaining the Raj |
Babli Sinha |
|
| 52 |
 |
Cinemas Dark and Slow in Digital India |
Lalitha Gopalan |
|
| 53 |
 |
Cinemas of the Global South: Towards a Southern Aesthetics |
Dilip M Menon (editor), Amir Taha (editor) |
|
| 54 |
 |
Cine-Politics: Film Stars and Political Existence in South India |
M. Madhava Prasad |
|
| 55 |
 |
Cracking the code : my journey to Bollywood |
Khurrana, Ayushmann, Kashyap, Tahira |
|
| 56 |
 |
Dilip Kumar: the substance and the shadow: an autobiography |
Kumar, Dilip,Nayar, Udayatara |
|
| 57 |
 |
Directors' diaries: the road to their first film |
Bakshi, Rakesh Anand |
|
| 58 |
 |
Film and Politics in India: Cinematic Charisma as a Gateway to Political Power |
Dhamu Pongiyannan |
|
| 59 |
 |
Filming horror: Hindi cinema, ghosts and ideologies |
Mubarki, Meraj Ahmed |
|
| 60 |
 |
F-rated: Being a Woman Filmmaker in India |
Nandita Dutta |
|
| 61 |
 |
Gaata rahe mera dil: 50 classic Hindi film songs |
Bhattacharjee, Anirudha,Vittal, Balaji |
|
| 62 |
 |
GQ India [December 2017] - feat. Shahid Kapoor |
GQ India |
|
| 63 |
 |
GQ India [February 2018] - feat. Hasan Minhaj |
GQ India |
|
| 64 |
 |
GQ India [January 2018] - feat. Prabhas |
GQ India |
|
| 65 |
 |
GQ India [June 2017] - feat. Anil Kapoor & Son |
GQ India |
|
| 66 |
 |
GQ India [May 2017] - feat. Tiger Shroff |
GQ India |
|
| 67 |
 |
GQ India [November 2017] - feat. Ranveer Singh |
GQ India |
|
| 68 |
 |
In the Life of a Film Festival: 20 Years of MAMI |
Sucheta Chakraborty, Rupleena Bose |
|
| 69 |
 |
India on the Western Screen: Imaging a Country in Film, TV, and Digital Media |
Ananda Mitra |
|
| 70 |
 |
India Retold: Dialogues with Independent Documentary Filmmakers in India |
Rajesh James and Sathyaraj Venkatesan |
|
| 71 |
 |
India Today [December 17, 2018] | Imran Khan in Outpacing India |
India Today |
|
| 72 |
 |
India’s Film Society Movement: The Journey and its Impact |
V.K. Cherian |
|
| 73 |
 |
Khullam khulla: Rishi Kapoor uncensored |
Iyer, Meena,Kapoor, Rishi |
|
| 74 |
 |
La India María: Mexploitation and the Films of María Elena Velasco |
Seraina Rohrer |
|
| 75 |
 |
Locating World Cinema: Interpretations of film as culture |
MK Raghavendra |
|
| 76 |
 |
Media Discourse in Contemporary India: A Study of Television News |
Sudeshna Devi |
|
| 77 |
 |
Regional Language Television in India: Profiles and Perspectives |
Mira K. Desai |
|
| 78 |
 |
Televising Religion in India: An Anthropological Reading |
Manoj Kumar Das |
|
| 79 |
 |
Telly-Guillotined : How Television Changed India |
Amrita Shah |
|
| 80 |
 |
Words, Sounds, Images. A History of Media and Entertainment in India |
Amit Khanna |
|
| 81 |
 |
Why Are We Always On Last?: Running Match of the Day and Other Adventures in TV and Football |
Paul Armstrong |
|
| 82 |
 |
Play-by-Play: Radio, Television, and Big-Time College Sport |
Ronald A. Smith |
|
| 83 |
 |
Race in American Television: Voices and Visions that Shaped a Nation [2 volumes] |
David J. Leonard, Stephanie Troutman Robbins |
2 |
| 84 |
 |
100 Entertainers Who Changed America |
Robert C. Sickels |
|
| 85 |
 |
Queer Art Camp Superstar: Decoding the Cinematic Cyberworld of Ryan Trecartin |
Ricardo E. Zulueta |
|
| 86 |
 |
This Is Your Captain Speaking |
Macleod, Gavin D. |
|
| 87 |
 |
Write to TV |
Cook, Martie |
|
| 88 |
 |
Groove tube: sixies television and the youth rebellion |
Aniko Bodroghkozy |
|
| 89 |
 |
Racines et déracinements au grand écran (Francopolyphonies, 20) |
Marianne Bessy |
|
| 90 |
 |
Recycled Stars: Female Film Stardom in the Age of Television and Video |
Mary R. Desjardins |
|
| 91 |
 |
Reframing Todd Haynes: Feminism’s Indelible Mark |
Theresa L. Geller, Julia Leyda |
|
| 92 |
 |
Regarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930–1960 |
Eric Smoodin |
|
| 93 |
 |
Satan's Playground: Mobsters and Movie Stars at America's Greatest Gaming Resort |
Paul J Vanderwood (editor), Gilbert M. Joseph (editor), Emily S. Rosenberg (editor) |
|
| 94 |
 |
Screen Traffic: Movies, Multiplexes, and Global Culture |
Charles R. Acland |
|
| 95 |
 |
Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood, and Nation in Postcolonial India |
Purnima Mankekar |
|
| 96 |
 |
Screening Sex |
Linda Williams |
|
| 97 |
 |
Scripted Affects, Branded Selves: Television, Subjectivity, and Capitalism in 1990s Japan |
Gabriella Lukács |
|
| 98 |
 |
Unspooled: How the Cassette Made Music Shareable (Sign, Storage, Transmission) |
Rob Drew |
|
| 99 |
 |
Untimely Bollywood: Globalization and India’s New Media Assemblage |
Amit S. Rai |
|
| 100 |
 |
Virtual Memory: Time-Based Art and the Dream of Digitality |
Homay King |
|
| 101 |
 |
Wallowing in Sex: The New Sexual Culture of 1970s American Television |
Elana Levine (editor), Lynn Spigel (editor) |
|
| 102 |
 |
Naming Names |
Victor S. Navasky |
|